WOW Jubilee IV 1-30 April 2020
WOW Jubilee Corona I – is the 1st Corona edition
WOW Jubilee IV is an intervention in virtual space featuring videoart, netart, soundart & associated interviews complemented by
1 April 2020 / 2010
feature WOW Jubilee IV 2020 Casablanca 2009 1 April – that’s a date which seems to be just a joke, but it isn’t funny that on 1 April 2010 Wilfried, just arrived in Casablanca on invitation of the Goethe Institute Rabat/Morocco to hold a workshop between 01-04 April, is attacked…
2 April 2011
feature CologneOFF2011 Arad Arad Today, is the final day of the CologneOFF 2011 presentation @ Arad Art Museum, a collaboration with Kinema Ikon, curated by Calin Man. The presentation and exhibition started on 30 March, and Wilfried arrived on 29 March already in order to prepare the exhibition at Arad…
3 April 2005
feature Compressed Affair by Agricola de Cologne Violencia sin Cuerpos Snowblossom House Museo National Reina Sofia Madrid In order to avoid domestic violence as a result of the Corona shutdown, it is helpful to deal with art, take a look to this article and become creative! It is already the…
3 April 2020
Open call Deadline: ongoing between 3 April and 1 July 2020 Corona! Shut down? The Corona crisis is demanding from people around the globe to reduce their social contacts in order to avoid a rapid spread of the virus. The Wake-Up! Memorial is inviting audio-visual artists to submit one work…
4 April 2013 / 2016
feature animateCologne 2012 Corfu Ithaca Kolkata Cologne Schedule for 4 April •Mediateca -CaixaForum-, Barcelona 14 February – 7 April – “Violencia sin cuerpos” 2006 •MNAC – National Museum of Contemporary Art in Bucharest (5 March- 30 April 2004) – RRF •Japan Media Arts Festival 24/03 – 05/05 2006 •Chiang Mai…
5 April 2005
feature CologneOFF I Today, Wilfried releases the 1st edition of “Cologne Online Film Festival” online, abbreviated “CologneOFF”. Although it was only consequent to do it, after he had the idea of an online festival already in 2002 – realised in shape of Violence Online Festival a project which, however, had…
6 April 2020
feature Albert Merino This article would like to spotlight the field of creativity in art and moving images on occasion of the solo video feature of Albert Merino in WOW Jubilee 2020 IV. Wilfried grew up with contemporary art in all its facets. He was particularly fascinated by surrealism and…
07 April 2005 / 2006
feature St.Petersburg Toronto Hongkong Toronto Schedule for 7 April •Mediateca -CaixaForum-, Barcelona 14 February – 7 April – “Violencia sin cuerpos” 2006 •MNAC – National Museum of Contemporary Art in Bucharest (5 March- 30 April 2004) – RRF •Japan Media Arts Festival 24/03 – 05/05 2006 •Chiang Mai 1st New…
8 April 2020
feature soundart SoundLAB I The today’s article would like to spotlight Wilfried’s interest and engagemnet in soundart on occasion of the NMF2020 April edition featuring the 1st edition of SoundLab, realised in 2004 for The RRF Project and its installation @ BEAP – Biennale of Electronic Art in Perth/Australia. In…
09 April 2020
feature netart Jody Zellen + 9 netartists NewMediaFest2020 made it obvious also for the non-initiated, that netart, eg. Internet based art, is playing in Wilfried’s professional course of life since 2000 a particular, or even more properly that fundamental role, at all – nothing is demonstrating that more impressively than…
10 April 2018
feature WOW.14 Ukraine 2018 Kharkiv Kiev Schedule for 10 April •MNAC – National Museum of Contemporary Art in Bucharest (5 March- 30 April 2004) – RRF •Japan Media Arts Festival 24/03 – 05/05 2006 •Chiang Mai 1st New Media Art Festival – Chiang Mai (Thailand) 2003 – 28 March –…
11 April 1995
feature Majdanek/Lublin Easter 1995 in Krakow Majdanek Today, Wilfried is opening his exhibition “1000 Years, 50 Years, and Still so Terribly Young” at State Memorial Museum of Majdanek in Lublin (the concentration camp of Majdanek, after Auschwitz the 2nd largest concentration camp the Nazi were errecting), which had been presented…
14 April 2020
feature WOW.18 and the curators Maurizio Marco Tozzi Eirini Olympiou Erick Tapia Gioula Papadopulou Georgi Krastev Paulo B. Menezes Antonio Alvarado Today’s article would like to honour those curators – by name – Maurizio Marco Tozzi – Eirini Olympiou – Erick Tapia – Gioula Papadopulou – Georgi Krastev – Paulo…
15 April 2004
feature MCA – Museum of Contemporary Art Chicago Version>Fest Chicago Edward Marszewski Schedule for 15 April •MNAC – National Museum of Contemporary Art in Bucharest (5 March- 30 April 2004) – RRF •Japan Media Arts Festival 24/03 – 05/05 2006 •Chiang Mai 1st New Media Art Festival – Chiang Mai…
16 April 2012
feature Le Cube Issy-les-Moulineaux paper “The Loss of the Evolutionary Motivation”. Issy-les-Moulineaux Today, Wilfried received the invitation to write a paper for Le Cube – Centre for Digital Creation in Issy-les-Moulineaux – a place belonging to the metropolitan area of Paris – which he is giving the title –
17 April 2019
feature Moscow Now & After Videoart Festival 2012-2019 Marina Fomenko Moscow Now & After International Videoart Festival @ Museum of Modern Art – 24 May – 10 June 2012 Museum of Modern Art – 22 April – 5 May 2013 – State Museum of Gulag Moscow 2-30 April 2014 Schusev…
18 April 2002/2003
feature IMMA – Irish Museum of Modern Art Istanbul Museum of Contemporary Art KanonMedia – Vienna Free Biennial New York Free Manifesta Frankfurt/Germany Sal Randolph A fundamental break was representing the phase when the big art institutions were starting to accept a computer as a tool and digital art as…
19 April 2012
feature Festival Internacional de la Imagen Manizales/Colombia Rennes ArtChSo Festival 2011 – 2012 Manizales Today 19 April 2012, Wilfried is jumping over the Atlantic ocean in order to attend the CologneOFF screening on 19h local time @ Festival de la Imagen, a prestigeous media art festival organized by Universidad de…
20 April 2005
feature The RRF Project Digital Art Lab Holon/Israel Message from behind a Wall Holon Since 16 April 2005, the exhibition The Israeli Center for Digital Art in Holon/Israel. The opening had been on 16 April at 20.00h, however Wilfried was not able to attend the event, because only a few…
21 April 2006
feature JIP – JavaMuseum Interview Project Wilfried mentioned in previous articles already the relevance of BEAP – Biennale of Electronic Art 2004 in Perth/Australia. After 4 years having his social art related activities since 2000 focussed mainly on the virtual level online, the year 2004 is representing a kind of…
22 April 2010
feature VideoChannel – [self]~imaging EmergenzaArte video festival Silent Cry Santa Maria di Sala Today, Wilfried is making a trip to one of the most beautiful landscapes, he ever visited, the region around Venice (Veneto/Italy) with all the wonderful Renaissance Villas and Palazzi. many of them are not just existing for…
23 April 2012
feature Forever – The Ball football as a topic in art World Cup Seoul 2002 Forever – The Ball It is the general opinion, that (most) artists reflect society and their living conditions via art. The art museums are overwhelmed with two different type of artistic expressions manifesting themselves in…
24 April 2007
feature Visions in the Nunnery 2007 House of Tomorrow Videoart from Great Britain – VideoChannel selection London Today, Visions in the Nunnery 2007 is starting a two days lasting video art exhibition organised by Tessa Garland, Darshana Vora and Cinzia Cremona at the Bow Trust’s Nunnery Gallery in London, including…
25 April 2002
feature MIT List Visual Arts Center Boston Lite Show – Boston Cyber Arts Festival 2002 Internet Art Prize Chemnitz 2001 Roubaix – Centre International de la Communication 2001 Boston Yesterday evening, Lite Show @ Boston Cyber Arts Festival 2002 had the award screening at MIT List Visual Arts Center –…
26 April 2003
feature Sala Apta Centro de Arte Moderno Buenos Aires/Quilmes Identity of Colour Today, just a short note! Wilfried is for one day in Buenos Aires – an evening @ Centro de Arte Moderno Quilmes, 20h, – entitled Sala Apta, a manifestation of digital art. It is remarkable, how deeply digital…
27-30 April 2020
feature Corona! Shut Down? Preparing WOW Jubilee 2020 V – May edition of NewMediaFest2020 – but it is time to take a view on the new open call “Corona! Shut Down?” dealing with the current Corona crisis launched during the 1st days of April. To launch this new project, made…
Retro Torrance
During April
Torrance Art Museum Los Angeles was hosting in 2014, 2016 and 2016 the extended videoart screening programs Agricola de Cologne was curating for CologneOFF, artvideoKOELN and The W:OW Project, and confirmed this way the quality of the audio-visual works and programs, as well as the trustful transatlantic collaboration.
Since Torrance Art Museum will be closed during April 2020 due to the Corona crisis and in April the 4th collaboration with Torrance Art Museum was scheduled – NewMediaFest2020 would like to open a virtual version of the museum’s darkroom by presenting the screening programs of the previous three collaborations in 2014, 2016 and 2018
PDF catalogue
Mission
The Museum encourages all people to develop and increase their understanding and appreciation for modern and contemporary artwork via a variety of exhibitions offered in its two gallery spaces, as well as educational programs, artist talks, lectures, and symposia.
Through its emphasis on contemporary artistic expression in Southern California and globally, the Torrance Art Museum brings together visual artists and community members; fosters personal and civic well being by inspiring understanding and appreciation of the visual arts; promotes meaningful experiences in the arts to strengthen creative and critical thinking skills; and builds bridges between the visual arts and other disciplines in the humanities and sciences.
CologneOFF X – 10th Cologne International Videoart Festival The motto of the 10th Cologne International Videoart Festival – “Total Art – Gesamtkunstwerk” is not only related to the type and contents of the audiovisual video works to be selected, but also to the meaning CologneOFF has as an artistic creation of its own. VenuesCologneOFF X – Total Art
8 November – 6 December 2014
CologneOFF 2014 USA
@Torrance Art Museum Los Angeles
8 November – 6 December 2014
CologneOFF X– “ Total Art “
Alienate Territories – Alienated Identities – Alienated Time Lines – Alienated Memory
curated & coordinated by Wilfried Agricola de Cologne
“Total Art” – (Gesamtkunstwerk) – curated by Wilfried Agricola de Cologne
It points to the fact that the festival activities are the creative output of the media artist Wilfried Agricola de Cologne, founding director und curator of CologneOFF whose artistic creative work in form of curating is manifesting itself in that special type of art work, the 10th festival edition of Cologne International Videoart Festival., respectively the totality of the project, entitled CologneOFF – Cologne International Videoart Festival, including 10 editions of an experimental and experimenting festival, and in this way, 10 years of an exciting media development. The festival as an art project and a cultural creation.
However, Agricola de Cologne is not placing himself and his creation in the foreground, but the particular complex audiovisual creations by the submitting fellow artists whose video works follow all the idea of the “Gesamtkunstwerk” using an individual audiovisual language, and in this way, the medium of digital video in all its technological complexity in order to confront the audience with multi-facetted contents, the manifestation of philosophical, political, cultural or artistic statements through a critical view on the PRESENT, sometimes ironically and with a sense of humour, but very serious und profound in artistic concern.
The programs follow each one a concept of its own alienating usual perceptions in visual and philosophical terms. They reflect art transporting memory from the Past, the identity of the artist under continuously changing conditions, the environment people are living referring to Present and Future.
By taking a look on the reality they recognize the world is not like it looks like, a game between the real and surreal, between the subjective and the objective, polarizations and contradictions within themselves, exciting and disturbing.
CologneOFF X is the10th festival edition in sequence. In the time of the rapid development of everything is that kind of continuation representing an enormous value, especially considering that CologneOFF started in 2005, its foundation from point zero, and established among the relevant videoart festivals on the globe within quite a short time despite or due to the concept of a new type of nomadic festival which is taking place all over the year, seven days a week and 24 hour ours a day, in an exchange between virtual & physical space via the Internet & festival events all over the world with the best collaboration partners.
-Videoart Festival Miden Kalamata Greece – 3-5 July 2014
-Waterpieces Video & Art Festival Riga/Latvia – 15-17 August 2015
-MIVA _ International Videoart Festival Quito/Peru – 25 August – 14 Sept 2014
-Institut fuer Alles Mögliche Berlin/Germany – 4 September 2014
-Muza Plus – a space for art Tel-Aviv/Israel – 13 September 2014
-Onomato e.V. Düsseldorf/Gerrmany – 25 September 2014
-Proyector Videoart Festival Madrid/Spain (25 Sept – 05 Oct 2014)
-Athens International Videoart Festival (Greece) – 3-5 Oct 2014
-“Damen und Herren” e.V. Düsseldorf/Germany – 10 October 2014
– Parachute Light Zero Paris France – 21 November 2014
-EuroShorts Film Festival Gdansk/PL 24-30 Nov 2014
-Euro Shorts Film Festival Warsaw/Poland 24-30 Nov 2014
-VideoBabel – International Audiovisual Festival Cuzco/Peru (24-29 Nov 2014)
-Torrance Art Museum Los Angeles/USA – 8 Nov – 5 Dec 2014
-Ares – International Film and Media Festival Syracuse/Italy 26-30 December 2014
-CeC- Carnival of e-Creativity Shillong/Meghalaya/India 1-3 May 2015
1
Alienated Territories
Home, Sweet Home!?
Albert Merino (Spain) –Visàvis, 2013, 5.05
Susanne Wiegner (Germany) – Home, Sweet Home!, 2014, 2:59
Theme Bannenberg & NOK Snel (NL) – Behind Closed Doors, 2010, 7:38
Stephen John Ellis (USA) – Aus dem Kinder , 2011, 5:14
Mizmor Watzman (Israel) – A Thing So Small, 2013, 9:00
Effrosyni Kontogeorgou (Greece) – Knitting, 2004, 6:07
Istvan Horkay (Hungary) – Mother, 2014, 4:51
Sinem Serap Duran (Turkey) – Adequate, 2012, 9:11
Alexander Callsen (Germany) – Gap Camp, 2013, 6:04
Francesca Fini (Italy) – Oasis in the Desert, 2010, 5:00
Matthias Härenstam (Sweden) – Closed Circuit, 2011, 3:01
Valerio Murat and Antonio Poce (Italy) – Meine Heimat, 2012, 4:32
Shahar Marcus (Israel) – Seeds, 2012, 5:03
Rick Fisher (Canada) – Arcadia, 2014, 4:49
Cinzia Sarto (Italy) – Dirty Vacation, 2005, 7:00
VIP interviews with
Francesca Fini – http://vip.newmediafest.org/?page_id=656
Mattias Härenstam – http://vip.newmediafest.org/?page_id=752
Albert Merino – http://vip.newmediafest.org/?page_id=944
Bannenberg – NOK – http://vip.newmediafest.org/?page_id=871
Johanna Reich – http://vip.newmediafest.org/?page_id=22
Susanne Wiegner (Germany) – http://vip.newmediafest.org/?page_id=368
2
Alienated Identities
Barry Morse (USA) – Mouse’s Birthday, 3:37, 2010
Agricola de Cologne (Germany) – Silent Cry, 2008, 3:06
Cynthia Whelan (UK) – Selfportrait, 3:27, 2005
Jaime Ekkens (USA) – A Life With Asperger’s, 2013, 4:00
Doug Garth Williams (USA) – Back & Forth, 2009, 2:42
Peter Spiers (UK)- Mimicking Frame By Frame, 2010, 06:17
Angelika Herta (Austria) – Man of Iron, 2011, 1:53
Anna Garner (USA) – Sequential Interactions, 2013, 1:54
Zaoli Zhong (China) – We Are Walking All on the Same Road, 2014, 12, 06
Lisa Birke (Canada) – Red Carpet, 2013, 9:59
Kristina Cranfeld (UK) – Manufactured Britishness, 2013, 10:00
Yu_Hang Huang (Taiwan) – Identity Correlation, 2009, 5:41
Levi Hanes (Ireland) – Shapes on Grey, 2014, 3:14
Mores McWeath (USA) – Sharing Laizy Gaines, 2013, 5:12
Yuri Pirondi & Ines Von Bonhorst (UK) – Emergencia, 2012, 10
VIP interviews with
Barry Morse – http://vip.newmediafest.org/?page_id=511
Lisa Birke – http://vip.newmediafest.org/?page_id=1702
3
Alienated Memory
Brave New World!?
a collaboration with Institut fier Alles Moegliche Berlin
Eric Patrick (USA)- Retrocognition, 2012, 17:37
Evertt Beidler (USA) – Moves Manager, 2011, 4:09
Francesca Fini Italy) – Touchless, 2014, 4:46
Armstrong Tarke (Cameroun) – REVERSE CIVILISATION, 2014, 3:57
Javier Velázquez Cabrero (Spain) – My city a bit cleaner of advertising every day, 2012, 6:00
Marcantonio Lunardi (Italy) – 370 New World, 2014, 5:08
Kaiser Nahhas (Syria) – Anti Censorship Protest at Taksim, 2014, 2014, 4:27
William Pena (Colombia) – Control, 2013, 3:45
IOCOSE (Italy) – In the Long Run, 2010, 20:20
Fabian Heitzhausen (Germany) – I’m Game, 2014, 3:08
Gabriele Tosi (Italy) – The Extreme Challenge, 2014, 4:56
Jonathan Minard and James George (USA) – Clouds, 2012, 19:00
Yu Cheng Yu (Taiwan) – Switch, 2008, 4:32
VIP interviews with
Roland Quelven- http://vip.newmediafest.org/?page_id=606
Francesca Fini – http://vip.newmediafest.org/?page_id=656
Marcantonio Lunardi – http://vip.newmediafest.org/?page_id=907
William Pena – http://vip.newmediafest.org/?page_id=726
Gabriele Tosi – http://vip.newmediafest.org/?page_id=1725
4
Alienated Time Lines
Isabel Layton (USA) – Little Black Dress, 2014, 2:28
Ezra Wube (Ethiopia) – Amora, 2009, 2:41
Ozan Turkkan (Turkey) – Bipolar Fractal, 2013, 4.32
Ramon Suau Lleal (Spain) – Hoax, 2010, 4:23
Julie Skarland (Australia) – Angeline, 2013, 2:49
Karolien Soete (Belgium) – Tempus Fugit , 2013, 3:53
Umesh Mangupudi ( India) – March To Nowhere, 2014, 6:06
Dustin Grella (USA) – Animation Hotline, 2012, 5:37
Elisabeth Leister (USA) – Strange Loop, 2014, 6.45
SinQuenza (Spain) – Exotic Shadow in a Shadow, 2013, 2.15
Sai Hua Kuan (Singapore) – Space Drawing 05, 2010, 1:21
Kristen Lauth Shaeffer (USA) – Forty-Six, 2009, 4:09
Anthony Sherin (USA) – DUÆL: Lee + Man, 2014, 5:09
Farid Hamedi (Iran) – Theatre for the Artist, 2014, 1:50
Hyash Tanmoy (India) – Stark Electric Jesus, 2014, 12:00
Cinzia Sarto (Italy) – Disquiet, 2013, 3:13
Sanglim Han (S.Korea) – Bloom, 2012, 3:35
Johanna Reich (Germany) – Phoenix, 2012, 3:20
VIP interviews with
Apotropia – http://vip.newmediafest.org/?page_id=1661
Ezra Wube – http://vip.newmediafest.org/?page_id=830
Karolien Soete – http://vip.newmediafest.org/?page_id=820
Elisabeth Leister – http://vip.newmediafest.org/?page_id=1862
CologneOFF 2016 USA
In The Name Of TRUTH
2 April – 28 May 2016
In the Name of TRUTH : Time, Peace and Humanity
2 April – 28 May 2016
1
Temporay-Contemporary
://self~imaging – artists show face against Populism & Intolerance
Christian Immonen (Sweden) – “Pulse”, 2015, 3:36
Mark Kadota USA) – “Persistence of Emotion”, 2015, 9:55
Tim Riley & Georgia Elizey (UK) – Spiral of Silence, 2015, 3:50
Nouran Sherif & Muhammad Taymour (Egypt) – Home, 2013, 8:13
Elisabeth Ross (Mexico) – Biography, 2013, 6:24
Michael Lasater (USA) – One, Two, 2008, rev. 2012, 09:27
Shahar Marcus (Israel) – The Fathers Have Eaten Sour Grapes, 2012, 4:40
Wilfried Agricola de Cologne (Germany) – Distortion Projected, 2005, 3:40
Silvana Dunat (Croatia) – Who are you, 2015, 04:29
Monika Zywer (Poland) – The Headless Artist, 2015, 1:01
Dova Cahan (Israel) – My Aunt Mina and Her Son Shmuel Never Came Back from Auschwitz”. 2015, 9.18
Sean Burn (UK) – Fragile (from seven short films about madness), 2015, 3 :30
Shivkumar KV (India) – Work in Progress, Video Performance, 2014, 01:01
Wrik Mead (Canada) – =, , 2015, 3:27
Neil Ira Needleman (USA) – Two Landscapes, 2015, 03:01
Fran Orallo (Spain) – Secuencias, 2015, 8’:35
Badr El Hammami (Morocco) – Autoportrait, 2012, 3:06
Isabel Perez del Pulgar (Spain) – Self~imaging for Peace, 2015, 1:45
VIP – interviews with
Shelley Jordon – http://vip.newmediafest.org/?page_id=705
Johanna Reich – http://vip.newmediafest.org/?page_id=22
Elisabeth Ross – http://vip.newmediafest.org/?page_id=887
Silvana Dunat – http://vip.newmediafest.org/?page_id=399
Monika Zywer – http://vip.newmediafest.org/?page_id=901
Neil Ira Needleman – http://vip.newmediafest.org/?page_id=1595
Isabel Perez del Pulgar – http://vip.newmediafest.org/?page_id=1638
Video Statement
2
Speed of Time
“Refugee Film Collection”
Amir Kabir Jabari (Iran) – Domiz Camp, 2015, 3:11
Farid Hamedi (Rohina) (Iran) – The Smoke and the Dream, 2015, 13:24
Mauricio Saenz (Mexico) – Flight Simulator, 2014, 4:17
Panagiotis Kalos (Greece) – Gasping for Air, 2015, 1:36
Anni Kaltsidou (Greece) – The Refugees, 2015, 2:48
Aline Biasutto (France) – The Sirens Chant, 2013, 11:02
Miss Muffett aka Lisa Seidenberg (USA) – Flight, 2015, 3:51
Ausin Sainz (Spain) – Land, 2015, 3:52
Pekka Niskanen (Finland) – Laoufi, in Konnunsuo detention unit, 2015, 10:00
Paolo Bandinu (Italy) – No Country, 2015, 2: 21
Mariken Kramer (Norway) – “Patterns of Inclusion”, 2013, 9:36
Theodoris Trampas (Greece) – Scorched Earth, 2015, 14:53
Gabriele Stellbaum (Germany) – Song of Myself, 2015, 1:54
Parya Vatankhah (Iran/France) – Not Read, 2014, 5:14
VIP interviews with
Ausin Sainz – http://vip.newmediafest.org/?page_id=1597
Gabriele Ste Stellbaum – http://vip.newmediafest.org/?page_id=2303
Parya Vathankhah – http://vip.newmediafest.org/?page_id=762
3
Times Collapsed
Never More! Hiroshima- Fukushima
Mengyu Chen ( USA) – Simulacra, 2013, 2:20
Daniel Wechsler (Israel) – Dust, 2015, 03:42
Paribartana Mohanty (India) – – The Miniaturist, 2015, 12: 44
Jean Gabriel Periot (France) – Nijuman no borei , 2008, 7.30
Ausin Sainz (Spain) – Stress Society, 2015, 02:35
Kenji Kojima (Japan/USA) – Composition FUKUSHIMA 2011, 2014, 10:00
Paul Turano (USA) – Fallout, 2013, 4:30
Maria Korporal (Netherlands) – Underwater Desert, 2015, 2:35
Nico Winz (France) – Fukushima Beach, 2013, 5:25
Jeroen Cluckers (Belgium) – Oneiria, 2014, 3’52”
VIP interviews with
Ausin Sainz – http://vip.newmediafest.org/?page_id=1597
Maria Korporal – http://vip.newmediafest.org/?page_id=859
Nico Winz – – http://vip.newmediafest.org/?page_id=1789
4
End of Time
The dilight Memorial
Heike Liss & Thea Farhadian (USA) – ZeroPointTwo, 2007, 18:00
Roland Quelven (France) – Death Fugue B50.02 – L19.20, 2013, 3:15
Paolo Bonfiglio (Italy) – Mortale, 2009, 6:48
Myriam Thyes (Switzerland) – Sophie Taeuber-Arp’s Vanishing Lines, 2015, 10:00
Istvan Horkay II (Hungary) – “Raoul Wallenberg”, 2014, 62:00
VIP interview with
Roland Quelven- http://vip.newmediafest.org/?page_id=606
Paolo Bonfoglio – http://vip.newmediafest.org/?page_id=454
Myriam Thyes- http://vip.newmediafest.org/?page_id=645
5
Humanity – Perspectives of Time
Javier José Plano (Argentina) – “5 actions (on the collective memory)”, 2010, 9:00
Osvaldo Raúl Ponce (Argentina) – “… Once upon now”, 2012, 09:20
Diego Pazó (Spain) – Mapas (Maps), 2015, 5:30
Yuval Yairi & Zohar Kawaharada (Israel) – Land, 2013, 4:36
Christian Tapies (Argentina) – Three Modern Haiku, 2010, 12:00
Masha Yosefpolsky (Israel) – Noli Me Tangere, 2008, 6:20
Emil Zenko & Evgenij Romashov (Belarus) – Maslenitsa, 2015, 2:28
Marcantonio Lunardi (Italy) – Public Space, 2014 d) 03:45
Bruno Pavic (Croatia) – 35 faces of homeless, 2012, 3’42”
Francesca Fini (Italy) – Soapopera, 2015, 10:47
Marita Contreras (Peru) – Maria, 2010, 5:37
Baptist Coelho (India) – Beneath It all I Am Human, 2009, 9:41
Manuela Barile (Portugal) – Morolojam 2008, 8:05
Marcantonio Lunardi – http://vip.newmediafest.org/?page_id=907
Francesca Fini – http://vip.newmediafest.org/?page_id=656
Marita Contreras – http://vip.newmediafest.org/?page_id=392
Wilfried Agricola de Cologne
The W:OW Project
21 July - 14 December 2018
including the curators - Wilfried Agricola de Cologne, Marina Fomenko, Ynin Shillo, Maurizio Marco Tozzi, Erick Tapia, Roland Wegerer, Gioula Papadopulou, Antonio Alvarado, Georgi Krastev, Paulo B. Menezes, Eirini Olympiou
WOW.18 / USA is the 18th and so far most comprehensive manifestation of „The W:OW Project – We Are One World“ and the 1st one in USA @ Torrance Art Museum.
Running between 21 July and 14 December 2018 @ TAM, the screening program series of „The W:OW Art Film & Video Festival“ are presenting the entire artvideo program as it was presented at 10 the venues in 2017 including more than 125 art films & videos by 125 artists from about 30 countries selected by 10 guest curators from Mexico, Greece, Spain, Portugal, Bulgaria, Italy, Israel, Austria & Russia and the German Wilfried Agricola de Cologne as a chief curator and director of „The W:OW Project“ – packed into 20 curated, conceptual programs.
According to its concept of and reflecting the diversity of life, in general, and human existence, in particular, „The W:OW Project“ program would like to present a diversity of artistic and curatorial concepts, as well as a variety of topics affecting human individuals whereever they live on the globe. The project is using the technology of video and the medium of „moving images“ as a contemporary audio-visual language of art, addressed to an open minded audience who is eager to learn new ways of viewing following the new rules of „artvideo“, differently than the mass of static and moving images overwhelming people in daily life permanently like in cinema, television or Internet – giving the individual image or „frame“ back its individuality, and time another relevance and perception.
Marina Fomenko
Ynin Shillo
Maurizio Marco Tozzi
Erick Tapia
Roland Wegerer
Gioula Papadopulou
Antonio Alvarado
Georgi Krastev
Paulo B. Menezes
Eirini Olympiou
Article
by Brit Bunkley (WOW Project artist from New Zealand visiting Loas Angeles in August 2018)
Their current exhibitions are outstanding. “Phantom Lim”, curated by Benjamin Tippin and Max Presneill, is a tasteful group show in the “unmonumental” style that includes the likes of Jessica Stockholder’s A Green Cut and Coleen Sterritt’s Be Narrow, Tall, Stacked, Stuffed, Rolled And Folded. The adjacent exhibition, Nascent Love by Erika Ostrander / Christian Tedeschi continues in a similar vein of sculptural collage.
The W:OW Project – We Are One World“ an art video program of more than 125 videos from nearly 30 countries is being exhibited between 21 July and 14 December 2018. There are 10 curated slots lasting one to two week each. Each slot has one to three programs of curated videos.
We were lucky to see the first 2 programs of “WOW:3: We Will Fail (Art Is Indivisible)” curated by Wilfried Agricola de Cologne. All the works were intriguing; with stand put pieces by Ausin Sainz’s “Liberty”, and Valerio DE BONIS– “I would claw my eyes out”.
1
Program unit 1
Focus / Asia – curated by Wilfried Agricola de Cologne
Mani Mehrvarz (Iran) – Wistful Affection For The Past, 2013, 3:06
Anupong Charoenmitr (Thailand) – To Face, 2014, 5:55
Mehmet ÖGÜT (Turkey) – The Basket Seller, 2014, 5:40
Noriyuki Suzuki (Japan) – Fragment, 2012, 6:31
Shuai-Cheng Pu (Taiwan) – Consciousness Spin Project, 2015, 5:39
Richard Legaspi (Philippines) – Making Love with the Wind, 2015, 9:40
Sanglim Han (S.Korea) – Bloom, 2012, 3:35
Weigang Song (China) – Walling Dissensus, 2014, 5:01
Shahar Marcus (Israel) – Leap of Faith, 2010, 3:02
Mohammed Harb (Palestine) – Without Windows, 2009, 5:00
Yovista Ahtajida (Indonesia) – Re-Interpreting Trump, 2016, 1:15
Program unit 2
Focus / World – The Refugee Film Collection – curated by Wilfried Agricola de Cologne
Mauricio Saenz (Mexico) – Flight simulator, 2014, 4:17
Les Riches Douaniers (Gilles Richard & Fabrice Zoll) (France) – The Lonely Migrant, 2011, 16:15
Johannes Christopher Gérard (Germany) – disorientated displacement, 2016, 05:02
Masha Maria Yozefpolsky (Israel) – In Between SiO2, 2016, 10:00
Oksana Chepelyk (Ukraine) – «Letter from Ukraine», 2014, 7:31
Mohamed Thara (Morocco) – As Long As I Can Hold My Breath, 2016, 9:40
Lucija Konda Labas (Croatia) – We are the dogs – Wir sind Hunde, 2016, 1:11
Anna Faroqhi & Haim Peretz (Germany) – Lichtenberg Cleans Up, 2016, 4:34
2
Program unit 3
Indelible Traces
curated by Wilfried Agricola de Cologne
Kristina Frank, & Mervi Kekarainen (Sweden) – 2Rabbits, 2015, 09:18
Henry Gwiazda (USA) – Magic, 2017, 3:34
Danijel Zezelj (Croatia) – Thousand, 2014, 05 37 sec
Albert Merino (Spain) – The Trace of Salt, 2010, 7:38
Program unit 4
WOW Russia – Natural Unnatural
curated by Marina Fomenko
Marina Fomenko (Russia) – Whence Winter Came to Us, 2012-2015, 4:30
Lyuba Sautina (Russia) – Plastic Flowers, Russia, 2016, 2:30
Alexandra Mitlyanskaya (Russia) – A Bus, 2014, 5:49
Anastasia Levina (Russia) – Universal Memory Cells, 2014, 7:19
Dmitry Bulnygin (Russia) – Neither Fish, nor Slaves, Russia, 2015, 5:00
Konstantin Krylovsky (Russia) – A Letter to Lucy, 2016, 2:35
3
Program unit 5
We Will Fail – curated by Wilfried Agricola de Cologne
Ninfa Sánchez & Karen Vilchis (Mexico) – Absence – Breve Ausencia, 2014, 5′ 35”
Francois Knoetze (South Africa) – CAPE MONGO – PAPER, 2015, 5:00
Ausin Sainz (Spain) – 3 2, 1 Liberty, 2015, 4:44
Gabriele Stellbaum (Deutschland) – “ill-timed moments”, 2013, 3:20
Francesca Lolli (Italy) – The last day of humanity , 2014, 01:49
Program unit 6
Art Is Indivisible – curated by Wilfried Agricola de Cologne
Gregg Biermann (USA) – Iterations, 2014, 5:37
Machia & Lolina (UK) – Chamelion Seeking Colour, 2015, 7’ 40″
Emil Zenko & Evgenij Romashov (Belarus) – Maslenitsa, 2015, 2:28
Valerio DE BONIS (Italy) – “I would claw my eyes out”, 2015, 9:00
Francesca Fini (Italy) – Virus, 2012, 5:00
4
Program unit 7
WOW Israel – curated by Ynin Shillo
Shahar Marcus (Israel ) – Seeds, 2012, 5:03
Moshe Vollach – 31 Cubes, 2013/2016, 4:00
Ynin Shillo – War, 2014, 4:20
Regev Amrani -Fathers, 2015, 1:50
Aya Nitzan – Gun Barrel Track Gaze, 2016, 2:54
Natali Issahary – Dune, 2016, 4:24
Nezaket Ekici & Shahar Marcus – Fossiles, 2014, 12:49
Program unit 8
No Return
The Refugee Film Collection
selection curated by Wilfried Agricola de Cologne
Simone Stoll (Germany) – FAREWELL – ABSCHIED, 2016, 06:08
Theodoris Trampas (Greece) – Scorched Earth, 2015, 14:53
Isabel Pérez del Pulgar (Spain) – Línea Imaginaria , 2016 , 06:39
Mo’ Mohamed Benhadj (Algeria) – GOD WILL KNOW HIS OWNS, 2014, 08:32
Fenia Kotsopoulou (Greece) – Borderline, 2015, 3:06
Florentia Ikonomidou (Greece) – Heart Attack, 2016, 02:44
Daniel Wechsler (Israel) – Exi(s)t, 2016, 01:45
Panagiotis Kalos (Greece) – Gasping for Air, 2015, 1:36
Anni Kaltsidou (Greece) – The Refugees, 2015, 2:48
Monika Zywer (Poland) – Golden Life Jacket, 2016, 01:00
George Symeonidis, Artemis Stathakou (Greece) – “Refugee”, 2015, 04:08
David Gutema Gamatchis (Hungary) – Traffickers, 2015, 4:18
Lucija Konda Labas (Croatia) – We are the dogs – Wir sind Hunde, 2016, 1:11
Max Hattler (Germany) – Stop The Show, 2013; 1:00
5
Program unit 9
Wake Up
curated by Wilfried Agricola de Cologne
Francesca Fini (Italy) – The Burning, 2016, 8:00
Masa Hilcisin (Czech Republik) – Fragmented, 2017, 2:30
Dee Hood (USA) – Shufflebackfuck, 2016, 4:20
Luca Nanini (aka unaduna) (Italy) – Homologus, 2016, 4:40
Albert Bayona (Spain) – Darriere – la benzinera, 2016, 3:38
Roland Wegerer (Austria) – This is My Voice, 2010, 3:35 Program unit 10
WOW Italy
curated by Mauricio Marco Tozzi
Marcantonio Lunardi (Italy) – The Cage, 2016, 5:46
Valeria Lo Meo & Michele Manzini (Italy) – Moving Africa, 2016, 5:02
Lino Strangis (Italy) – A strange earthquake of the mind, 2016, 6:45
Paolo Bandinu (Italy) – No Country, 2015, 2:21
6
Program unit 11
Curated by Eirini Olympiou (ADAF – Athens Digital Arts Festival)
List of videos
Gianluca Abbate (IT) – Panorama, 2015, 07:00
Cerezo Azahara (SP) – Slopes, 2013, 04:37
Panagiotis Tomaras (GR) – 165, 2009, 02:45
Marcantonio Lunardi (IT) – Unusual Journey, 2017, 03:22
Neno Belcev (BU) – Sectral Promenade, 2013, 03:54
Maria Fernanda Bertero (EC) – Technolapse, 2017, 06:21
FIELD (UK) – Hidden Layer, 2017, 02:54
Thomas Valianatos (GR) – Fractus machine_Cosmo, 201, 03:34
Giada Ghiringhelli (CH/UK) – Rhythm of Bein, 201, 06:26
7
Program unit 12
“WOW Austria”
video selection curated by Roland Wegerer
Virgil WIDRICH (Austria) – make/real, 2010 / 5min
Daniel and Matthias HAFNER (Austria) – MODERN MAN, 2014 / 5:44min
Elisabeth KRAMER (Austria) – “the magi”, 2017 / 1:30 min
Katharina SWOBODA (Austria) – Pelzvogelkasten, 2015 / 4:05min
Evelyn KREINECKER (Austria) – Flucht (Flight), 2015 / 2:38min
Eginhartz KANTER (Austria) – Aufstieg (Rise), 2016 / 3:11min
Program unit 13
“WOW Mexico”
video selection curated by Erick Tapia
Adán Salvatierra (Mexico) – Narké / 2015 / 3:15 / México
Juan Pablo Romo Álvarez (Mexico) – Postdata / 2016 / 7:00 / México.
Erick Tapia (Mexico) – TERRITORIUM / 2016 / 3:00 / México
Julio Valdez (Mexico) – Sickness / 2016 / 7:00 /México
8
Program unit 14
WOW Greece
curated by Gioula Papadopoulou
Alexandros Kaklamanos (Gr) – A Minor, Greece 2014, 2.11
Panos Mazarakism (Gr) – Virtual Vanity, Greece 2016, 1.21
Yiannis Kranidiotis (Gr) – Ichographs MdelP, Greece 2015,4.13
Alex Karantanas (Gr) – Untitled, Greece 2015-16, 6.38
Katerina Athanasopoulou – Branches of Life, UK 2016, 4.14
Vasilis Karvounis – Dancing with Thanatos, Greece 2015, 3.45 Program unit 15
WOW d/i/light
curated by Wilfried Agricola De Cologne
Isabel Pérez Del Pulgar (Spain) – Sacrifice, 2017, 11:50
Mária Júdová (Czech Republik) – Metaphors of the body, 2013, 6:04
Marcantonio Lunardi (Italy) – Anthropometry 154855, 2015, 3:30
Shahar Marcus (Israel) – 1-2-3-Herring, 2013, 2:30
Alessandro Fonte (Italy) – Unisono, 2013, 2:37
9
Program unit 16
WOW – We Are One Place II
Curated by Wilfried Agricola de Cologne
Francois Knoetze (South Africa) – CAPE MONGO – Metal, 2015, 5:00
Muhammad Taymour (Egypt) – The Caller, 2017, 9:29
FONTE & POE (Alessandro Fonte, Shawnette Poe)(Italy) – The Trial Loop, 2016, 4:24
Albert Merino (Spain) – The White Rain, 2010, 8:10
Susanne Wiegner (Germany) – Home, Sweet Home!, 2014, 2:59 Program unit 17
WOW Bulgaria
Curated by Georgi Krastev
Valeri Chakalov “Hromel“, Bulgaria 2:01
Georgi Krastev, “The Journey of a Melody”, Bulgaria, 2:48
Viktor Petkov “I love Guzlemi”, Bulgaria, 7:06
Cvetan Krastev “The Long Journey of a Snail to the Ocean”, Bulgaria, 9:52
Cvetan Krastev “Digitalization of analogue message to the moon”, Bulgaria, 02:12
Venelin Shurelov, “Je Suis Je”, Bulgaria, 3:09 Program unit 18
WOW Portugal
Curated by Paulo B.Menezes (Oliqua experimetal video)
Rita Macedo (Portugal) – Implausible things, 2014, 9’00”
Inhabitants (Portugal) – Beams of Cathodic Rays Shooting, 2013, 7’35”
cul:pa (Portugal) – The fox, 2015, 5’39”
10
Program unit 19
WOW – We Are One Place I
Curated by Wilfried Agricola de Cologne
Lauris Kalnins (Latvia) – little black shit wants to communicate, 2012, 2:20
Diego de los Campos Orefice (Uruguay) – Meatman, 2011, 5:12
Yiotis Vrantzas (Greece) – Phone call from Cairo, 2012, 4:55
Yuval Yairi & Zohar Kawaharada (Israel) – Land, 2013, 4:36
Liu Wei (China) – Hopeless Land, 2009, 7:28
Owen Eric Wood (Canada) – Holobomo, 2009, 4:25
Roelof Broekman (The Netherlands) – Metropolis, 2016, 01:51
Brit Bunkley (NZ) – Godzone, 2017, 5:32
WOW Spain
Curated by Antonio Alvarado (Madrid/Spain)
Isabel Pérez del Pulgar (Spain) – Opus Nigrum, 2014, 7′ 32”.
Jesús de Frutos (Spain) – Volemos juntos, 2017, 2′.
Francisco Brives (Spain) – Tebras, 2015, 3′ 15”.
claRa apaRicio yoldi (Spain) – Fragmented Memory, 2013, 3′ 04”.
Magali Berenguer (Spain) – Ludmila., 2017. 3′.
Julia Juaniz (Spain) – Besos, 2016., 3′ 21”.
.
Video
the solo feature of Albert Merino
As the director and curator of Cologne International Videoart Festival, Agricola de Cologne had to review up to 1500 submissions for preparing the next festival edition. Even if a team of different curators would review seriously, reviewing and selecting videos & films is representing an enormous logistic & conceptual challenge. When artists like Albert Merino were submitting the selection procedure can always be abbreviated, because since the 1st submission in 2010 each of the submitted films have not just an equal, but an increasing quality – that’s why they stand out from all others. Each new work is a new surprise.
Although Agricola de Cologne was enthusiastic from the beginning, the number of filmic works following each other made it evident, this artist has an enormous creative potential going far beyond the knowledge how to use audio-visual effects – the transformation of dreamlike, surreal ideas into a language of moving images that really matter, made it easy for Agricola de Cologne to accept each submitted high standard work. Awarding Albert Merino as videoartist of the month April 2020 is a view back by honouring 10 years of imaginative film making which was always giving the promis that the abundance of creativity and imagination would generate also in Future more of such astonishing filmic works. Being confronted with the artist’s films and the way of practised collaboration was always a great pleasure!
Albert Merino
He uses the video as a vehicle of his work developing a wide visual imaginary with which he intervenes and transforms the Daily.
His work has been shown in a large number of international festivals and in institutions and museums as Arts Santa Monica (Barcelona), Palais de Tokyo, Acadèmie de France (Paris), Songwom Art Center (Seoul), MOCA (Taipei), or the Nam June Paik Art Center among others. Of its trajectory are noteworthy several individual and collective exhibitions or in art fairs like Los Angeles art fair, Beijing art fair, art Basel Hong Kong, or Arco (Madrid)
His work has been recognised with several international awards. He has also been an artist member of L’Academie de France à Madrid.
VIP interview with Albert Merino
http://vip.newmediafest.org/?page_id=944
Albert Merino Gomez (Spain) – Hidden Mud, 2010, 7:42
Albert Merino (Spain) – Les Bagneurs, 2010, 3:50
Albert Merino (Spain) – The White Rain, 2010, 8:10
Albert Merino (Spain) –Visàvis, 2013, 5.05
Albert Merino (Spain) – Le Badinage, 2010, 6:32
Albert Merino (Spain) – Lot’s Shadow, 2011, 6:40
Albert Merino (Spain) -Compulsive Self-portrait, 2011,05:46
Albert Merino (Spain) – Bestiary, 2018, 5:10
Statement
Through the different works, a concern is developed for the recreation of atmospheres, which can become obsessive and hermetic. Through them, surprise is manifested in everyday life, language play or constant interferences between genres. These are recurring elements in my work. In it you can distinguish multiple influences especially from the world of video art, cinema and painting.
The different registers I use range from more intimate works to sarcasm or irony. Through and within the medium, I interfere with the surrounding reality that I perceive to transform it into a literary body.
CologneOFF I
The 1st edition is standing under the motto of “identityscapes”- a rather unsual topic for a 1st festival of videoart, but it is as provoking as the festival, when it was launched April 2005 – 15 years ago.
Read more about the making of off in the article from 5 April 2020
The Best of
CologneOFF 01 – Identityscapes
curated by Wilfried Agricola de Cologne
Andrew Johnson (USA) – Black and White, 4:30
Elia Alba (Domincan Republic) If I were a…, 2004, 4:30
Alla Girik and Oksana Shatalova (KZ) Warning! Women, 2005, duration: 3 min. 12 sec
Eleanor Gates Stuart (Australia)Title: Knit, 2005, 9:04
Ina Loitzl (Austria) Title: Snow-white and red like a rose, 2005, 5:00
Joao Paulo Simoes (Portugal)Title: Take.This.Turn, 2005
Elisabeth Smolarz (Germany)Title:You and Me, 2003, 3:00
Beatrice Allegranti (UK) Title: IN MY BODY, video 2005, 4 min
Unnur A. Einarsdottir (Iceland) – Title: Toilet (2005),
Sonja Vuk (Croatia) – Title: Cosmo Club,2004, 6:05
Irène Tétaz (France) – Title: Il Nue (the nude), 2006, 4_00
Risk Hazekamp (the Netherlands) – Gay King, 3 min., year: 2005
Rahel Maher (Australia) – Misstar, 2002, 2:00
EILEEN BONNER (UK) – I THOU, 2004, 3:40
Steven Dixon (Sweden) – Title: The Invisible Girl, 2004, 5:54
Sinasi Günes (Turkey) – Work title: ANDROGEN, video 2004, 3:34
Michael Brynntrup (Germany) – TV-X-perm, 2002, 8:00
Fred Koenig (France) – Title: The Vodoo Diva’s International, 2004, 6:40
Joey Hateley (UK) – Title: A: Gender, 2005, 5:530c
Ane Lan (Norway) – Title: Ane Lan, 2004, 2:46
Carlo Sansolo (Brazil) – Title: PANOPTICA, 205, 3:23
Erika Frenkel (Brazil) – Title: Cascadura Baby – 5:00 – 2004
Jamil Yamani (Australia) – Title: All Quiet on the Western Front, 2004, 4:53
Ruben James Preston (UK) – Remembering (4:40) (2005)
Welmo E. Romero Joseph (Puerto Rico) ½ POCILLO , video, 2003, 3:40
Calin Dan (Romania) – Title: Sample City, 10:00, 2003
Jens Salander & Mikael Strömberg (Sweden) – The Collossos by the Sea, 2004, 10:00
DANA LEVY (Israel) – “Time with Franz”, video, 2004, 11:00
Lital Dotan & Eyal Perry (Israel) – Embracement, 10:00, 2004
Antonia Valero (Spain) – Title: S/T (sin titulo), 2006, 6:00
Gudrun Bittner (ES/AT) – A Dark Glimpse on the White Gloved Mouse, 2004, 5:00
Petra Lindholm (Sweden) – Title: Reported Missing, video, 2004, 10:00
Ji-Hyun Kim (South Korea) – Title: “Wo-men, Wo-rld”, video, 2003, 2:40
Andrea Ferrara, Fiorella Nicosia, Polytimi Patapi (Italy) – Spazio dell’Assenza, 6:00, 2004
Tan Chui Mui (Malaysia) – Title of work: Hometown, video, 2003, 6:00
Nita Mocanu (Romania) – Title: Waiting Room, 10:00, 200
Rafael Alcalá (Puerto Rico) – Title of work: SMOKED, video, 2003, 3:00
Nancy Atakan Turkey) – Titles of work: The wall, 2:20, 2004
Kinema IKON
Kinema Ikon curated by Calin Man (2011)
detailed biography
1. Romulu Budiu – alone with snow / 1975 . fiction . 16 mm . bw . 8’04”
2. Florin Hornoiu – commuters / 1975 . doc . 16 mm . bw . 7’22”
3. Ioan Plesh – spring-coming effects / 1978 . anime . 16 mm . bw . 4’44”
4. Alexandru Pecican – subliminal exercise / 1979 . fiction . 16 mm . bw . 6’13”
5. Emanuel Tet – dynamic poem / 1978 . anime . 16 mm . bw . 4’31”
6. George Sabau – cutting ups / 1980-1985 . fiction . 16 mm . bw . 8’58”
7. Valentin Constantin – beginning of coherence / 1981 . fiction . 16 mm . bw . 8’46”
8. Iosif Stroia – self-portrait / 1984 . anime . 16 mm . bw . 5’47”
9. Viorel Simulov – manuscript / 1984 . anime . 16 mm . bw . 6’07”
10. Ioan Galea – study 1 – details / 1986 . fiction . 16 mm . bw . 4’56”
11. Calin Man – what’s happening / 1986-1994 . svhs . 1’02”
12. Mihai Pacurar – traktor / 2005-2010 . digital . 2’05”
13. Mistik & 01 – digital body / 2006 . digital . 4’44”
14. Artur Ditu – 9:40 a.m. / 2008 . digital . 1’55”
15. DSLX, 2005-2010 . digital . 01’23”
16. KF – new shooter out now / 2010 . digital . 2’15”
VIP – VideoChannel Interviews IV
VIP – VideoChannel Interview Project
selected interviews 02
Albert Merino – http://vip.newmediafest.org/?page_id=944
Oksana Chepelyk (Ukraine) – http://vip.newmediafest.org/?page_id=1722
Susanne Wiegner (Germany) – http://vip.newmediafest.org/?page_id=368
Brit Bunkley (New Zealand) – http://vip.newmediafest.org/?page_id=1611
Lisi Prada (Spain) – http://vip.newmediafest.org/?page_id=2239
Maria Korporal (NL) – http://vip.newmediafest.org/?page_id=859
Francesca Fini (Italy) – http://vip.newmediafest.org/?page_id=656
Gabriele Stellbaum (Germany) – http://vip.newmediafest.org/?page_id=2303
Miri Nishri – http://vip.newmediafest.org/?page_id=140
Francois Knoetze – http://vip.newmediafest.org/?page_id=1770
Dee Hood – http://vip.newmediafest.org/?page_id=496
Ausin Sainz – http://vip.newmediafest.org/?page_id=1597
Nico Winz – – http://vip.newmediafest.org/?page_id=1789
Roland Quelven- http://vip.newmediafest.org/?page_id=606
Paolo Bonfoglio – http://vip.newmediafest.org/?page_id=454
Myriam Thyes- http://vip.newmediafest.org/?page_id=645
Parya Vathankhah – http://vip.newmediafest.org/?page_id=762
Shelley Jordon – http://vip.newmediafest.org/?page_id=705
Johanna Reich – http://vip.newmediafest.org/?page_id=22
Elisabeth Ross – http://vip.newmediafest.org/?page_id=887
Silvana Dunat – http://vip.newmediafest.org/?page_id=399
Monika Zywer – http://vip.newmediafest.org/?page_id=901
Neil Ira Needleman – http://vip.newmediafest.org/?page_id=1595
Isabel Perez del Pulgar – http://vip.newmediafest.org/?page_id=1638
Apotropia – http://vip.newmediafest.org/?page_id=1661
Ezra Wube – http://vip.newmediafest.org/?page_id=830
Karolien Soete – http://vip.newmediafest.org/?page_id=820
Elisabeth Leister – http://vip.newmediafest.org/?page_id=1862
Marcantonio Lunardi – http://vip.newmediafest.org/?page_id=907
William Pena – http://vip.newmediafest.org/?page_id=726
Gabriele Tosi – http://vip.newmediafest.org/?page_id=1725
Mattias Härenstam – http://vip.newmediafest.org/?page_id=752
Bannenberg – NOK – http://vip.newmediafest.org/?page_id=871
Johanna Reich – http://vip.newmediafest.org/?page_id=22
Barry Morse – http://vip.newmediafest.org/?page_id=511
Lisa Birke – http://vip.newmediafest.org/?page_id=1702
Netart
Solo feature of the month April 2020 – Jody Zellen
Recipient of JAYA’01 – The JavaArtist of the Year 2001 Award
Jody Zellen was one of the first artists, Wilfried Agricola de Cologne was meeting virtually after he launched his Internet based activities as an artist and curator. Jody’s Internet based work which was already quite comprehensive in the year 2000, belong to the first external netart works, Agricola de Cologne was confronted with before Jody was following his first calls for netart in 2000. At the same time, on which platforms his own net based works were accepted for participating, nearly always Jody Zellen was participating at least with one of her works, as well.
It was the quality of her work which impressed him from the beginning, her works were inviting to visit the project sites not just once, but many times and all her works have the same level of quality, this is generally something unsual. So, while Agricola de Cologne was preparing his shows on JavaMuseum, but Jody participated on other of his platforms, as well, as soon as there was the decision made to give “The JavaArtist of the Year Award” for the first time, it was clear, that Jody’s work had to be honoured with the 1st Award 2001, and she was the only artist who had even two solo features afterwards.
When Agricola de Cologne was preparing NewMediaFest 2020 during the year 2019, and he checked how many netart works would be still online after so many years, he was surprised that the majority of works involved in the previous JavaMuseum shows had either simply vanished leaving just dead links, mostly together with the artists themselves, but it was no surprise, that Jody’s works were not only existing and located online under the same URL, but her entire works was perfectly documented, and then while reviewing her works after so many years again, he found them nearly as exciting as he had reviewed them for the 1st time. Despite they are technology based like any good art work they are timeless, and that’s certainly the best compliment which can be made to an artist, that his work isn’t just fashionable for a limited period of time.
Jody Zellen
is a Los Angeles based artist who works in many media simultaneously. She creates interactive installations, mobile apps, net art, animations, drawings, paintings, photographs, public art, and artist’s books.
JavaMuseum Interview
Works
Ghost City
1997-present
Enter the work here
Ghost City is an ever changing website. It is a virtual city that has become an archive of changing web technologies. Ghost city has no physical space or real time beyond the space and time of the viewer’s interaction with the screen. Ghost City focuses on the representation of the city by the mass media. It uses the space of the web as a sculptural space, allowing viewers to interact with animated graphics to delve deeper and deeper into an imaginary city
2000
Enter the work here
On space, time, and human interaction. I am interested in the patterns, structure and design of the urban environment. Rather than document the cities I see, I use representations of a wide range of contemporary and historic cities from the media as raw material for aesthetic and social explorations. Using these appropriated images and texts I make individual photo collages, multi-media installations, public artworks, artist’s books, and web art projects. The different media in which I work feed off of and inform each other. For the last ten years I have been making my art work while working simultaneously as a designer, printer, or gallery assistant.
Random Paths
2001
Enter the work here
Random Paths is a self contained project that functions as a travelogue. It is about sequence and memory and how different groupings of images and passages of poetic texts can create different associations. Random Paths is meant to be circular and hopefully upon each viewing new meanings will be generated.
Crowds and Power2002
Enter the work here
Crowds and Power uses mediated images to explore the relationship between space, memory, and territory. Windows containing image fragments emphasize the displacement of individuals and the transformation of urban space where large gatherings, demonstrations, and struggles are represented. By juxtaposing charged images with theoretical and philosphical texts about the nature of crowds this website explores internal and external conflicts.
2004
Enter the work here
Disembodied Voices is a meditation on the nature of public space. It is a visual representation of how different bodies communicate across space, using cell phones as a metaphor for the new translocal of connected, yet disembodied voices, linked across space invisibly – forming an unseen network of wanderers, always within reach yet nowhere in sight. This site illustrates the collision of the personal/private and public space. As the line between public and private continues to blur intimate transactions have become audible to anyone within earshot. Where we are, in a sense, no longer matters since we are always connected. Using the cell phone as a metaphor, this project connects users and investigates the changing nature of public space into a wirelessly connected translocal, where each person is a node in the network.
2005
Enter the work here
Talking-Walls is a dynamic website exploring the visual language of wall and street markings.
Urban Fragments
2009
>
Enter the work here
received a BA from Wesleyan University (1983), an MFA from California Institute of the Arts (1989) and an MPS from New York University’s Interactive Telecommunications Program (2009).
Her site specific interactive installations include: “The Unemployed” on view at the Los Angeles International Airport from May – October 2019; “News Wheel” created for Long Beach City College, 2017; “Time Jitters” a commission for the Halsey Institute of Contemporary Art at the College of Charleston, SC, 2014 and “The Blackest Spot” created for Fringe Exhibitions, Los Angeles, 2008.
Among her numerous interactive net art projects are “Spine Sonnet,” 2011 (commissioned by LACMA); “Lines of Life,” 2010 (commissioned by terminalapsu.org); “Without A Trace,” 2009 (commissioned by turbulence.org). Other net art projects include “Ghost City,” 1996-present, an ever changing poetic meditation on the urban environment; “Urban Fragments,” “Talking-walls” and “Disembodied Voices.”
Recently she has been creating mobile apps as artworks. These projects available for free in iTunes include: “Time Jitters,” “Spine Sonnet,” “Art Swipe,” “4 Square,” “Episodic,” “News Wheel” and “The Unemployed.”
Zellen was awarded an Artist Fellowship from the City of Santa Monica in 2011 and 2016. She is also the recipient of a 2012 California Community Foundation Mid Career Fellowship, a 2011 Center for Cultural Innovation Artistic Innovation Grant as well as a 2004 COLA (City of Los Angeles) Fellowship.
The JavaMuseum – netart features
include interactive works by Reiner Strasser, Sachiko Hayashi, Maya Kalogera, Raúl Moarquech Ferrera-Balanquet, Katie Bush, Santo_file, Simon Fildes & Katrina McPherson, Yucef Merhi, Talking Birds
Reiner Strasser
JavaMuseum Interview
The artistic activities are characterized by recurring changes of the media and the main topics.
While in the 1980s and 90s the creative work concentrated painting, especially portraiture, since 1996, the focus has been on new media. How are there: Media Art, Digital Art, Internet Art, Net-Art, E-Poetry, Electronic Literature. Multimedia, interactivity, international collaboration are key concepts of this period. Installation and object art appear peripherally. With the beginning of the 2010s painting and photography come back to the foreground.
Doorman passing
2002
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A doorman spends his days in the dark of his lodge. His chair gives onto a wall at one corner of the entrance hall. He cannot have an entire view unless he stands on the sill of his porter’s office window. Like the doorman of a theatre who cannot enjoy the show, the doorman sits in his lodge, just witnessing other people passing by.
This doorman though, can only hear people entering and leaving the building. His contact with the world outside is limited to the screen of a small black and white TV he watches all day long.
He hears someone else’s life, he watches someone else’s life. Time and life is passing by him. Is he really alive?
To live in the dark of a lodge. Was this his intentional choice or was it the only job he could find?
How much the architect’s design of the location interferes with the wasting of the doorman’s life?
Sachiko Hayashi is a visual artist who primarily works in video and screen-based interactive media. Hayashi holds a BA in International & Cultural Studies with an award winning undergraduate thesis from Tsuda College, Tokyo, a MA with Merit in Digital Media from Coventry School of Art & Design, Coventry University, UK, and completed additional postgraduate studies in Computer Arts at the Royal Institute of Art (Kungliga Konsthögskolan) in Stockholm.
Detailed biography
JavaMuseum Interview
LAST MEAL REQUESTED
2003-2004
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net art, flash player required, year of production: 2002-2003
concept, image, sampling, action script programming, sound programming and sound composition: Sachiko Hayashi
sound source (part): Magnus Alexanderson
My interest in creating Last Meal Requested has been to address our human behaviours within the context of complexities formed by our history and society: how our past affects our present, finds its way into the individual minds that together constitute society, which eventually succeeds in the fatal destruction of individual human beings. The title is a citation taken from “Made in the USA”, a documentary film by Solveig Anspach and Cindy Babski about an Afro-American by the name of Odell Barnes, who was wrongfully executed in Texas 2000. The last meal he requested was “Justice, Equality and World Peace.”
Sachiko Hayashi’s
She is known for her net art that involves examination of human nature with high use of interactivity, in which not only the retrieved depiction of its subject becomes its focus but also our own reaction toward what is being revealed through interactivity. These works together with her CD-ROM work (“The Norns”) have been recognised by visual art communities in addition to new media circles. Their exhibition venues include Janco Dada Museum, Israel, Nordic Contemporary Art Biennial, Gothenburg, Norrköpings Konstmuseum, as well as many international new media art festivals such as Viper, Basel, ciber@rt, Bilbao, FILE, Sao Paulo, Thailand New Media Art Festival, Bangkok, etc. One of her net art work “Last Meal Requested” has been published by Rhizome, NY, as part of GROK, 2007, their first educational CD-ROM for the youth.
Her video work reflects exploration in temporal compositions of subjective imagery, often in combination with audio-visual experimentation. In 1991 she founded MASH, an art duo, with EAM composer Magnus Alexanderson, to investigate various audio and moving- image combinations. In 2000 MASH has received a commission from the Swedish National Institute for Concerts, and their video trilogy was chosen for a national tour by the same institution in 2001. MASH’s works have also been shown at festivals such as Transmediale, Berlin, Not Still Art, New York, and European Media Art Festival, Osnabrück, among others.
was born in Havana, Cuba in 1958. MFA, Multimedia and Video Art Department, University of Iowa, 1992. Ferrera-Balanquet has curated major media arts exhibits in the United States, Canada, Brazil, Cuba and Mexico, among them InteractivA’03 and 01 for the Museum of Contemporary Art (MACAY), Merida, Yucatan. Mexico, 2001 and 2003; “Huellas de un Corazón Sangrante en Tropicana”, MIX-Brazil, for the Museum of Sound and Image, Sao Paulo, Brazil; “Videos That Unmask, Test and Invade the Colonial System”, Program I, Video In, Vancouver B.C., Canada.
Travelling Corners (2001-2007)
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Traveling Corners (2001-2007)
maps the virtual territory of a transnational community that allows for simultaneity of social practices without physical territorial contiguity from Los Angeles, California to Merida, Yucatan, Mexico.
Katie Bush
Canadian artist
detailed biography
participant in
VIP – JavaMuseum Interview Project
This Evil has Yet to Come!
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Dear Handsome Man and/or Prettiest of Ladies, Please do your morally upright part and: destroyevil.com
Created the night after George W Bush’s ‘Axis of Evil’ speech. Official launch July 4, 2002. Evil animations added daily. Deliberately on-going. By July 4th 2003 site will contain 365 pages
Urls dated by day: destroyevil.com/january_10 etc
detailled bio on http://and.nmartproject.net/?p=784
On My Terrain
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This work evokes my very first net art project, Le voyage imaginaire, made with Java voxel applet, where mouse motions were leading the viewer into the morphing landscape. Many years later, with Web GL, we are travelling again through web page into pink territories which are gliding, eluding and disappearing in front of us, while female voice is reminding us that we are between the worlds.
The way I see the world out of my room
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Spanish group consisting of David Casacuberta, Marco Bellinzoni
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JavaMuseum Interview
X-Reloaded
2005
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FROM LITTLE EATING AND FROM A LOT OF EXPOSING TO MEMES, THE ELECTRONIC CELEBRUM WAS DRYED
Don Quixote is a palpable example of how far a meme can go with the proper institutional help. The celebration of the year Quixote coincides with the release of a series of memes that circulated on the network, although they did not yet enjoy the interest of the media. We refer to concepts such as copyleft, creative commons, appropriationism, piracy and their application to digital art. It did not seem bad to us, therefore, to reunite this memetic coincidence in an artistic project.
– X Reloaded offers “interpretations” of a fragment of Don Quixote according to authors as disparate – and usually to our liking – as JODI, Olia Lialina, Barbara Kruger, William Burroughs, El Lissitzki, Tony Scott or Ferran Adrià. Apart from the game “as if”, X Reloaded is above all a tribute to the remix culture and appropriationism that seems to us an essential characteristic of good digital art.
Practically all the pieces that we have remediated were based on the concept of the remix culture. Barbara Kruger has almost always worked with someone else’s photographs and has faced some lawsuit for copyright misappropriation. The JODI map was already the re-appropriation of a map of the Internet backbone. William Burroughs’ own creative mechanism was based precisely on copying by remixing the texts of others. The hard core of Adbusters’ ideology is culture jamming, by which the icons of consumerism are decontextualized to denounce it. Even a more mainstream character like Ferran Adrià bases part of his success on the idea of ”deconstructing” traditional recipes.
X Reloaded is a project open to collaborations. Many artists have stayed in the pipeline: How about a Jamie Reid God Save the X? Or apply Eulipo’s mechanisms to the selected text? We appreciate the collaborations of Rosa Llop, Xavier Lorente and Ana Sánchez and we invite you to re-appropriate your favorite artist -or the most hated- under the influence of omnipresent X.
Ardnamurchan Zillij
2004
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An interactive moving mosaic for the web.
Between July and September 2004 Simon Fildes was New Dynamics Artist in Residence in the dispersed communities of Ardnamurchan as part of the Scottish Arts Council supported programme for Social Inclusion Partnership Communities. This was a part-time role to develop new ‘new media’ work with young people. Whilst staying there the award-winning video-maker Katrina McPherson worked along side Simon to create a new work for Alt-W called ‘Ardnamurchan Zillij’.
The artists created a collaborative work with individuals from the geographically diverse groups in Ardnamurchan . They built up a bank of over 130 digital tiles based on looping moving images. The interface allows a user to select tiles and design a constantly moving colourful mosaic of small video clips. The video clips were created by designing, choreographing and videoing the movement of individuals in the communities of Ardnamurchan and the environment around them, and reducing the clips to near abstract shapes and sounds .
The idea to create an interactive moving digital mosaic was inspired by the artists fascination with Islamic Moroccan tradition which relies on geometry and endless repetition as an outlet for expression using shapes called fourmah to create intricate patterns, Zillij. Katrina and Simon were interested in exploring some interesting cultural parallels in this non representational form of art with the west coast of Scotland.
Simon and Katrina
would like to thank Eugene Rainey for his ActionScript programming and all the people of Acharacle, Glenuig, Strontian and Kilchoan (young and old) who got involved with us along the way and who’s presence was invaluable to the process. We would particularly like to thank Calum Carmichael not least for his video contribution but also for being an able and willing assistant throughtout the three months we were resident in Glenuig. Many many thanks are also due to the support crew – Dot Lynas, Ali Macdonald, Peter MacFarlane, Moira Fitzpatrick, Anne-Marie Clegg, Sheena Carmichael, Siobhan Gilespie, Peter Stace, Eoghan Carmichael, Alasdair “Pod” Carmichael, Sue Cheadle, and Nick Ashcroft, without who’s support there would have been no project. Thanks very mush to iain MacDonald and family for the use of the house at Seannlag, Glenuig, we loved it there.
The New Dynamics project has been supported by the Community Learning and Leisure Service of the Highland Council and has invested in good quality equipment with the support of Lochaber Enterprise and the Tudor Trust. Ardnamurchan Zillij recieved significant additional support from Alt-W, an annual scheme to fund innovative arts projects for the web.
2002
media artist from Venezuela
Detailed biography
Poetic Dialogues 1.0
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“Poetic Dialogues 1.0 is constituted by 18 different flash movies made with a high-tech wristwatch camera. Each flash movie has a sequence of images taken frame by frame of people reciting a verse that I previously wrote. So, even when I employed a sophisticated machine to do this work, the process was the same that was used at the begining of cinema. When you enter the project you will see 3 different faces that establish a dialogue between them. The interaction among the characters generates a poem. Also, the number of different poems/combinations that you can
get is 216. This metaphorical process of using a watch to create dynamic poems was taken from a previous work called ‘the poetic clock’, a machine that converts time into poetry which generates 86.400 different poems daily. “
Poetic Dialogues 1.0
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detailled bio on http://and.nmartproject.net/?p=784
Helloland
2002
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To mark Talking Birds’ 10th birthday in 2002, we made 10 new artworks and on top of that a little interactive web-thing each month. Hands up if you still have a Channel-hopping fly or a printed desk calendar? You can still play with Helloland, but do bear in mind that it is 10 years old and you may (just may) find a broken link or two…clicky here.
Talking Birds
is a company of artists engaged in the transformation of spaces – both real and imagined. The Coventry-based company¹s work is created, and experienced by audiences, in many different places, including theatres, cinemas, concert halls, on television, the internet and radio, as well as in unusual sites, whether a seaside town¹s seafront promenade, a 14th Century monastery or an underground car-park.
JIP – JavaMuseum Interviews IV
JIP – JavaMuseum Interview Project
selected interviews 04
Jody Zellen – http://jip.javamuseum.org/?page_id=46
Reiner Strasser – http://jip.javamuseum.org/?page_id=38
Santo_file – http://jip.javamuseum.org/?page_id=40
Sachiko Hayashi – http://jip.javamuseum.org/?page_id=43
Soundart
“SoundLAB I
Wittwulf Y Malik, Remigio Coco, Judson Wright, NOTUS, Ludovic Guerry, Abinadi Meza, Caroline de Lannoy, Toni Mestrovic, Kenji Siratori, Mark Kammerbauer, Adam Overton, TACTICAL20, Robert Ciesla, Kirsten Reese, Ros Bandt, Le Tuan Hung, Wolfgang Menzel, nick barker & r. jacobs, David McCallum, John Plenge, Alison Chung-Yan, Andrea Polli, Colin Black, Darko Fritz, Ivan Bachev, Juergen Winderl – mikrokiko, Lee Kwang Goh, Kenji Siratori, Lynne Williams, Marcello Mercado, Natalia Ludmila, Werner Cee
soundLAB I
was released as SoundLAB Channel in the context of The RRF Project on occasion of – BEAP – Biennale of electronic Art Perth /Australia 2004. Sonic art as tool for dealing with the complex aspect of memory, its repressing and the forgetting. The particular feature was to include the external curators Zoe Drayton (New Zealand), Tobias Van Veen (Canada), John Kannenberg (USA), Eva Sjuve (Norway), Juan Antonio Lleó (Spain) – who provided their individual selection of sonic art works.
After BEAP, soundLAB Channel remained until the end of The RRF Project 2007 as its corporate part, but was also acting as an individual platform for sonic art. Including soundLAB I, each of the following 6 years, soundLAB was releasing on large sonic art project. 2016 soundLAB was re-activated in order to realize some new soundart project under specific topics.
participants –
Wittwulf Y Malik, Remigio Coco, Judson Wright, NOTUS, Ludovic Guerry, Abinadi Meza, Caroline de Lannoy, Toni Mestrovic, Kenji Siratori, Mark Kammerbauer, Adam Overton, TACTICAL20, Robert Ciesla, Kirsten Reese, Ros Bandt, Le Tuan Hung, Wolfgang Menzel, nick barker & r. jacobs, David McCallum, John Plenge, Alison Chung-Yan, Andrea Polli, Colin Black, Darko Fritz, Ivan Bachev, Juergen Winderl – mikrokiko, Lee Kwang Goh, Kenji Siratori, Lynne Williams, Marcello Mercado, Natalia Ludmila, Werner Cee
Enter the complete SoundLAB 1 here
NewMediaFest2020 selection
WOW Jubilee IV is an intervention in virtual space featuring videoart, netart, soundart & associated interviews complemented by
1 April 2020 / 2010
feature WOW Jubilee IV 2020 Casablanca 2009 1 April – that’s a date which seems to be just a joke, but it isn’t funny that on 1 April 2010 Wilfried, just arrived in Casablanca on invitation of the Goethe Institute Rabat/Morocco to hold a workshop between 01-04 April, is attacked…
2 April 2011
feature CologneOFF2011 Arad Arad Today, is the final day of the CologneOFF 2011 presentation @ Arad Art Museum, a collaboration with Kinema Ikon, curated by Calin Man. The presentation and exhibition started on 30 March, and Wilfried arrived on 29 March already in order to prepare the exhibition at Arad…
3 April 2005
feature Compressed Affair by Agricola de Cologne Violencia sin Cuerpos Snowblossom House Museo National Reina Sofia Madrid In order to avoid domestic violence as a result of the Corona shutdown, it is helpful to deal with art, take a look to this article and become creative! It is already the…
3 April 2020
Open call Deadline: ongoing between 3 April and 1 July 2020 Corona! Shut down? The Corona crisis is demanding from people around the globe to reduce their social contacts in order to avoid a rapid spread of the virus. The Wake-Up! Memorial is inviting audio-visual artists to submit one work…
4 April 2013 / 2016
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5 April 2005
feature CologneOFF I Today, Wilfried releases the 1st edition of “Cologne Online Film Festival” online, abbreviated “CologneOFF”. Although it was only consequent to do it, after he had the idea of an online festival already in 2002 – realised in shape of Violence Online Festival a project which, however, had…
6 April 2020
feature Albert Merino This article would like to spotlight the field of creativity in art and moving images on occasion of the solo video feature of Albert Merino in WOW Jubilee 2020 IV. Wilfried grew up with contemporary art in all its facets. He was particularly fascinated by surrealism and…
07 April 2005 / 2006
feature St.Petersburg Toronto Hongkong Toronto Schedule for 7 April •Mediateca -CaixaForum-, Barcelona 14 February – 7 April – “Violencia sin cuerpos” 2006 •MNAC – National Museum of Contemporary Art in Bucharest (5 March- 30 April 2004) – RRF •Japan Media Arts Festival 24/03 – 05/05 2006 •Chiang Mai 1st New…
8 April 2020
feature soundart SoundLAB I The today’s article would like to spotlight Wilfried’s interest and engagemnet in soundart on occasion of the NMF2020 April edition featuring the 1st edition of SoundLab, realised in 2004 for The RRF Project and its installation @ BEAP – Biennale of Electronic Art in Perth/Australia. In…
09 April 2020
feature netart Jody Zellen + 9 netartists NewMediaFest2020 made it obvious also for the non-initiated, that netart, eg. Internet based art, is playing in Wilfried’s professional course of life since 2000 a particular, or even more properly that fundamental role, at all – nothing is demonstrating that more impressively than…
10 April 2018
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11 April 1995
feature Majdanek/Lublin Easter 1995 in Krakow Majdanek Today, Wilfried is opening his exhibition “1000 Years, 50 Years, and Still so Terribly Young” at State Memorial Museum of Majdanek in Lublin (the concentration camp of Majdanek, after Auschwitz the 2nd largest concentration camp the Nazi were errecting), which had been presented…
14 April 2020
feature WOW.18 and the curators Maurizio Marco Tozzi Eirini Olympiou Erick Tapia Gioula Papadopulou Georgi Krastev Paulo B. Menezes Antonio Alvarado Today’s article would like to honour those curators – by name – Maurizio Marco Tozzi – Eirini Olympiou – Erick Tapia – Gioula Papadopulou – Georgi Krastev – Paulo…
15 April 2004
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16 April 2012
feature Le Cube Issy-les-Moulineaux paper “The Loss of the Evolutionary Motivation”. Issy-les-Moulineaux Today, Wilfried received the invitation to write a paper for Le Cube – Centre for Digital Creation in Issy-les-Moulineaux – a place belonging to the metropolitan area of Paris – which he is giving the title –
17 April 2019
feature Moscow Now & After Videoart Festival 2012-2019 Marina Fomenko Moscow Now & After International Videoart Festival @ Museum of Modern Art – 24 May – 10 June 2012 Museum of Modern Art – 22 April – 5 May 2013 – State Museum of Gulag Moscow 2-30 April 2014 Schusev…
18 April 2002/2003
feature IMMA – Irish Museum of Modern Art Istanbul Museum of Contemporary Art KanonMedia – Vienna Free Biennial New York Free Manifesta Frankfurt/Germany Sal Randolph A fundamental break was representing the phase when the big art institutions were starting to accept a computer as a tool and digital art as…
19 April 2012
feature Festival Internacional de la Imagen Manizales/Colombia Rennes ArtChSo Festival 2011 – 2012 Manizales Today 19 April 2012, Wilfried is jumping over the Atlantic ocean in order to attend the CologneOFF screening on 19h local time @ Festival de la Imagen, a prestigeous media art festival organized by Universidad de…
20 April 2005
feature The RRF Project Digital Art Lab Holon/Israel Message from behind a Wall Holon Since 16 April 2005, the exhibition The Israeli Center for Digital Art in Holon/Israel. The opening had been on 16 April at 20.00h, however Wilfried was not able to attend the event, because only a few…
21 April 2006
feature JIP – JavaMuseum Interview Project Wilfried mentioned in previous articles already the relevance of BEAP – Biennale of Electronic Art 2004 in Perth/Australia. After 4 years having his social art related activities since 2000 focussed mainly on the virtual level online, the year 2004 is representing a kind of…
22 April 2010
feature VideoChannel – [self]~imaging EmergenzaArte video festival Silent Cry Santa Maria di Sala Today, Wilfried is making a trip to one of the most beautiful landscapes, he ever visited, the region around Venice (Veneto/Italy) with all the wonderful Renaissance Villas and Palazzi. many of them are not just existing for…
23 April 2012
feature Forever – The Ball football as a topic in art World Cup Seoul 2002 Forever – The Ball It is the general opinion, that (most) artists reflect society and their living conditions via art. The art museums are overwhelmed with two different type of artistic expressions manifesting themselves in…
24 April 2007
feature Visions in the Nunnery 2007 House of Tomorrow Videoart from Great Britain – VideoChannel selection London Today, Visions in the Nunnery 2007 is starting a two days lasting video art exhibition organised by Tessa Garland, Darshana Vora and Cinzia Cremona at the Bow Trust’s Nunnery Gallery in London, including…
25 April 2002
feature MIT List Visual Arts Center Boston Lite Show – Boston Cyber Arts Festival 2002 Internet Art Prize Chemnitz 2001 Roubaix – Centre International de la Communication 2001 Boston Yesterday evening, Lite Show @ Boston Cyber Arts Festival 2002 had the award screening at MIT List Visual Arts Center –…
26 April 2003
feature Sala Apta Centro de Arte Moderno Buenos Aires/Quilmes Identity of Colour Today, just a short note! Wilfried is for one day in Buenos Aires – an evening @ Centro de Arte Moderno Quilmes, 20h, – entitled Sala Apta, a manifestation of digital art. It is remarkable, how deeply digital…
27-30 April 2020
feature Corona! Shut Down? Preparing WOW Jubilee 2020 V – May edition of NewMediaFest2020 – but it is time to take a view on the new open call “Corona! Shut Down?” dealing with the current Corona crisis launched during the 1st days of April. To launch this new project, made…