“Identity of Colour”, 07:07:07, 2016
Film created by media artist Agricola de Cologne, based on the artist’s poem and voice performance of the same name created and executed in 2001.
The work combines DaDa like poetic texts, vector grafics and musical components created by the artist himself.
There are two work versions:
1. The netart piece, 2001, looping
developed according the principle of SAMAC
(Simultaneous Associative Media Art Composing) which describes Agricola’s individual way of experimental electronic writing: words, sound, images, animation, music and voice performance are developed simultaneously –depending on each other – in one long single process.
Voice and sound performance by Agricola de Cologne.
2. the video, 2016, 07.07.07
voice and sound performance by Wilfried Agricola de Cologne
The video is representing a reconstruction of the piece originally programmed in Flash (Macromedia) as netart which ist still existing as a completed netart work, however due to a specific, non-linear programming which could not be transferred to the linear structure of the video a complete reconstruction was necessary. Therefore the video is standing as an art work individually for itself.
View the Flash version – requires the Flash plug-in
Screenings/ participations
1. Netart Version
2003
*ArteMedia 2003 – Buenos Aires/Argentina
*Digital Sur Festival- Arte Digital Rosario 2003 – Rosario (Argentina)
*PEAM 2003 – Electronic Art Festival 2003 Pescara/Italy
*Chiang Mai 1st New Media Art Festival – Chiang Mai (Thailand)
2002
*Cyborg 01 Festival – III International Arts Festival Valencia/Venezuela
*X Canarias International Festival of Video & Multimedia
*e-magic – cybermedia events – 43th International Filmfestival Thessaloniki (Greece)
*VideoMarathon Contemporary Art Centre Chisinau (Moldavia)
*Liberarti – Liverpool Biennial (UK) – Violence Online Festival –
*Asolo Art Film Festival – Asolo (Italy) – www.asolofilmfestival.it
*ISEA 2002 Nagoya (Japan) – Electronic Theatre
*17th Videoformes Festival – Clermont Ferrand (F)
*COOP Media Festival – Museum of Contemporary Art Bucaresti (Romania)
*IV SALON Y COLOQUIO INTERNACIONAL DE ARTE DIGITAL – Havanna (Cuba)
*’Visions Festival’ at St. Kilda Film Festival – Melbourne (Australia)
*Free Manifesta/Manifesta 4 – Kunstverein Frankfurt (Germany)
*Free Biennial New York (USA)
*About Vision – digital art exhibition London (UK)
*New Media Line – online exhibition on KanonMedia, Vienna (Austria)
*IDEA – Indian Documentary of Electronic Arts
2001
*Condominium – Webart at – HICETNUNC 10 – San Vito a/T (Italy)
*Cerveira Biennale 2001
*File – Electronic Language Festival 2001 Sao Paulo and Curitiba City (Brazil)
*2nd INTERPOETRY Exhibition Sao Paulo (Brazil)
*DMF2001 – Digital Media Festival 2001 Manila (Philippines)
*4th International Meeting of Experimental Poetry Buenos Aires (Argentina)
*Net_working – Exhibition at Watershed Media Centre Bristol (UK) and
*4th International Conference on Modern Technology and Processes for Art, Media and Design, Bangkok (Thailand)
Never Wake Up
movie created by media artist Agricola de Cologne.
It is based on the artist’s poem of the same name.
Subject:
Loss of identity: Soldiers become distorted, veterans of war are not able
to be reintegrated in society.
The poem/movie uses some fundamental images:
The soldier= metaphor for the human individual
War=metaphor for life, respectively the fights of all day life
Veteran of War=the human being who can not rid of the Shadows of the Past.
The work is developed according the principle of SAMAC
(Simultaneous Associative Media Art Composing) which describes Agricola’s individual way of experimental electronic writing: words, sound, images, animation, music and voice performance are developed simultaneously –depending on each other – in one long single process.
Voice and sound performance by Agricola de Cologne.
The movie is directed and produced by Agricola de Cologne in 2001.
Presented on
2001
Torino Digital Clip Festival 2001 (Italy)
Casting a Net McLean Project of the Arts (USA)
Computer Space 2001 Sofia (Bulgaria)
Net_working Watershed Media Centre Bristol (UK)
4th International Meeting of Experimental Poetry Buenos Aires (Argentina)
2nd Interpoetry Exhibition 2001 Sao Paolo (Brazil)
Biennale de Cerveira (Portugal)
2002
Asolo Art Film Festival – Asolo (Italy)
HAZE – hive-projects Toronto (Canada)
Detroit Video Festival (USA) DVD Version
17th Videoformes Festival Clermont Ferrand (France)
Free Biennial New York (USA)
New Media Line Kanon Media Vienna (Austria)
Free Manifesta/Manifesta 4 Frankfurt (Germany)
Vision – St.Kilda Film Festival Festival Melbourne (Australia)
IV Salón y Coloquio Internacional de Arte Digital Havanna (Cuba)
Feature on TeknoKultura (Puerto Rico)
12-12 : TIME BASED WEBCAST Cardiff(UK)
COOP Media Festival Bucarest (Romania)
Violence Festival Tábor (Czech Republic)
Teknokultura (Puerto Rico)
Muse Apprendice Guild
Cyborg 01 Festival – Valencia/Venezuela
Reload – Istanbul Museum/Turkey
Emagic Festival Thessaloniki (Greece)
2003
No War Marathon Berlin (Germany)
Chiang Mai 1st New Media Art Festival – Chiang Mai (Thailand)
PEAM 2003 – Electronic Art Festival 2003 Pescara/Italy
Watch – Seconds Forever, 2001, 3:20
Surveillance can become an obsession for those who observe and those who are observed. For the victim captured and tortured, seconds are never ending.
*DMF2001 – Digital Media Festival 2001 Manila (Philippines) – Moving Picture Collection 2001
*Art Of Torture – Art against Torture – NCCA Kaliningrad (Russia) – Seconds: Forever 2001
*Lite Show Festival at Boston Cyber Art Festival 2001 (USA) – Screening: Seconds: forever 2001
*Media Art Festival Friesland 2001 (The Netherlands) – Watch: seconds: forever 2001
*Viper Media Festival Online Competition (Switzerland) – Screening – Seconds: Forever – Award Nomination 2001
*’Visions Festival’ at St. Kilda Film Festival – Melbourne (Australia) 2002
*Next5 Minutes Festival 2003
*V SALON Y COLOQUIO INTERNACIONAL DE ARTE DIGITAL 2003
Announcement on Rhizome
DMF2001
From October 1-5, 2001, Digital Media Festival 2001 began presenting digital works by various artists from all across the globe, with five workstations and two webcams installed in the Corredor Gallery of the College of Fine Arts, University of the Philippines. On October 8, 2001 at 11:00AM (+0800), DMF2001 kicks off a series of Artists Forums, Workshops, Demos and Video Screenings, and an exhibition of digital prints and digital photographs. The events will be streamed live (RealPlayer required) on the Internet through the DMF2001 website at http://digitalmedia.upd.edu.ph/
The October 8 Artists Forums include lectures and presentations on Digital Photography by Jim Ayson and Ben Razon. The forum entitled “Photography Goes Digital” will introduce the audience to the history, current technologies and the future of digital photography in the Philippines. Digital photos taken by Jim and Ben will be shown, alongside an exhibition of prints of Ben’s digital photographs courtesy of FUJIFILM-YKL.
Next is a forum with Al Manrique, a pioneer on digital art in the Philippines, who will present early and recent works and his photographs from Samar and Polomolok.
Electronic music comes next with a demo by Lionel Zivan Valdellon and a talk on how computers can be used to produce music.
October 9 is a day devoted to video. Starting 9:00AM, Singaporean Nisar Keshvani will present fineArt forum’s 15th Anniversary Travelling Screening Programme, a 1-hour programme consisting of digital, multimedia, film works (2-5 minutes) by global artists. Nisar’s lecture on how a news service can aid the cause of the artist accompanies the programme.
The internationally recognized Japanese film and video artist Takahiko Iimura, whose CD-ROM of collected works from 1975 to 1998 is presented in DMF2001, comes next with a 1-hour programme and forum. Takahiko, accompanied by his Art Coordinator Kazuyo Yasuda, also presents prints of digital works at the Corredor Gallery.
After the forums, Computer Devices Corp. takes over with a Canopus Workshop Demo on Non-Linear Video Editing. The event is free and open to all video enthusiasts.
On October 10 at 9:00AM, College of Saint Benilde-DLSU professor Ronnie Millevo will conduct a lecture-demo on Flash followed by a brief forum about Opportunities in Flash by Flashpro.org.
More artists videos will be presented on October 11 and 12, along with the Multimedia Art Asia Pacific’s video programme curated by Yi Won Kon (Korea), Wu Meichun (China) and Experimenta Media Arts (Australia). Screening hours are 11:30AM to 2:30PM (Thursday) and 10:00Am to 11:30AM (Friday).
DMF2001 is made possible through the generous support of the Office of the Chancellor, University of the Philippines-Diliman, the Office of Initiative in Culture and the Arts (OICA), and the UP College of Fine Arts, with technical support provided by the UP Computer Center and Dilnet. DMF2001 is organized by Fatima Lasay, lecturer of digital media at the UP College of Fine Arts.