video feature
Biennale of Electronic Art 2004 Perth
The RRF Project @ BEAP 2004
The curators I
The RRF environment
is basically a curatorial project, incorporating an expanding number of remarkale 45 curators, (supervising) chief curated by [R][R][F]200x–> XP creator Agricola de Cologne. The project is also curating primarily virtual space as it can be experienced on a computer monitor by users online and offline.
The original image resolution was, according to the technological conditions 2003-2005 quite progressive 1024×720, while the intended visual effect lost its relevance when after 2010 HD resolution was conquering the users monitors. In order to get such an effect for experiencing the full space of an monitor, it is either required to switch to a lower resolution or re-dedign the project for full HD. The additional issue, however, is fundamental, and therefore re-designing is not possible, because the Flash software technology (once developed by Macromedia and taken over some years ago by ADOBE) is meanwhile obsolete and at the end of 2020, projects using Flash will simply not exist any longer for the usual user online, this is goog of course for all included online works curated by the participating curators, because also another popular technology – “Shockwave” used by artists is already since 2017 not supported any longer. Many artworks and so The RRF Project, as well, became victim of mass killings organised by one of leading software companies on the globe. Culture and art ist not only threratened with extinct, the art genre of “netart” as from the start of the pioneering era has been killed this way. The RRF Project, however can be still experienced offline as a shell for artistic contents but its empty, because it cannot be linked and networked, any longer.
Concerning that fact, that not all net based artist’s works are affected, a selection of them will be featured on a later occasion.
The RRF Project versions 1,0 & 2.0
BEAP 2004
RRF v.1
Anna Hatziyiannaki
Anna Hatziyiannaki studied in Paris and received her honors degree in Art Methodology. She completed her postgraduate studies in Aesthetics and Anthropology of Art and attended cinema and theater classes at the Paris I and Paris VIII Universities.
She has been working as editor and art critic for Greek newspapers and magazines since 1982.
She works in new media and Internet applications in the domain of the Arts since 1994. She provides lectures and organizes exhibitions as a New Media Curator.
She is with Dimitris Skoufis the co-founder, and curator of the non-profit Art & Technology Society ART TOPOS and its website (http://www.artopos.org), operational in internet since 1996.
Since 1997 until 2003, she worked for the creation and the organization of the New Media Section of Athens’ Daily Newspapers’ Syndicate.
In 2001, she was in charge of the visual arts program of the International Festival “Art for Human Rights” organized by the non-governmental organization “Open Horizons” under the auspices of the Greek Ministry of Culture, the Council of Europe and the European Cultural Foundation.
In 2002, together with Dimitris Skoufis and Nikos Giannopoulos, co-organised the 1st E-Magic Festival, a cyber media events with streaming media, in the frame of the 43th Thessaloniki International Film Festival.
Since 2003 she is also collaborating with “Apopsis” Cultural Centre (Athens).
She is a member of the Journalists’ Association of Athens Daily Newspapers (ESIEA), of AICA (International Association of Art Critics) and member of directors (treasurer) of the Greek department of AICA.
Anna Hatziyiannaki curates for
RRF v.1.0 featuring these artists
1. Makis Faros
2. Joyce Charis
3. Dimitris Zouroudis
4. Babis Venetopoulos
5. Athanasios Beroutsos
6. Viki Betsou
Vincent Makowski/France
lives and works too much
in front of an aging but steady geefour computer
969 : is born (in the middle of nowhere)
974 : lives a happy childhood
986 : marries Saskia
987 : quits his job in a bank, leaves his wife and child to go live on an island
988 : sees prostitutes on a steady basis
989 : joins the communist party
990 : leaves the communist party
991 : slits his ear
992 : joins a fascist party
993 : marries Ilona
994 : divorces Ilona
995 : sees a transexual lover
996 : becomes a cocaine addict
997 : gets shot by Valerie (but survives)
998 : tries to forget he once joined a fascist party
999 : crashes with his plane in a desert (but survives)
000 : becomes an alcoholic
001 : crashes again on one of his monumental works as he was flying over it
002 : would have been seen playing chess a lot)
Vincent Makowski is participating in
JavaMuseum (2002)
Current Position of French Netart
The RRF Project as a curator (2003)
http://rrf200x.newmediafest.org/1-rrf-v1/
1. AL (France)
2. Mauro Ceolin (Italy)
3. Arthur X. Doyle (Ireland)
4. Wolf Kahlen (Germany)
5. Cyril Rouge (France)
Fran Ilich
www.delete.tv
Fran Ilich is a media artist was shown at the Berlin International film festival. He is director of the digital narrative workshop of the International University of Andalucía in Sevilla, Spain. He collaborates with Sputnik magazine in México, and used to be a researcher and editor at
the Multimedia Center of the National Center of the Arts in Mexico City. He is the author of a couple of novels, and a videogame who was acquired by a spanish museum. Some of his best known projects are the Borderhack festival, or the spanish/portuguese version of Nettime which he co-founded. At the moment he’s latest narrative projects are Modem Drama which is a trilogy of net.films (the first one produced for the Biennale Internazionale Giovane in Torino), and Big [B]0ther (a text-based reality show for the Walker Arts Center, in Minneapolis).
Fran Ilich participates in
LatinoNetarte.net – netart from Latin countries
curated by Wilfried Agricola de Cologne
1. Ivan Monroy-Lopez (Mexico)
2. kdag (Colombia/Spain)
3. Judith Villamayor (Argentina)
4. Regina Célia Pinto (Brazil)
Branca Bencic/Croatia curates
1. Lunar
2. Zhel
3. Shirin Kouladije (Canada)
4. Elena Stanic
5. Olja Stipanovic
6. Jelena Vukotic
7. Vanesa Turcinhodzic
8. Petar Brajnovic
9. Tomislav Brajnovic
10. Karo
Melody Parker-Carter
After 2000, for some years Agricola de Cologne’s alter ego.
Art history, journalism and media art at Munich University and KHM Cologne.
Co-curator of [R][R][F]200x—>XP and personal assistant to Agricola de Cologne, chief curator of SoundLAB
Melody Parker-Carter curates for
The RRF Project – v.1.0
1. Fernando Palmeiro (Spain)
2. Paul Catanese (USA)
3. Tjader Knight Inc. (Finland/Belgium)
4. Osvaldo Cibils (Uruguay)
Some minutes of a time
suit of videos by Agricola de Cologne
Eugeny Umansky
www.ncca.koenig.ru
is an artist and curator living and working in Koenigsberg /Kaliningrad (Russia)
1961 – was born in Nizhni Tagil, Ural, Russia.
1987 graduated the Leningrad Hydrometeorological Institute on the speciality Oceanology.
Since 1989 – the free artist.
Since 1992 – Director of the private gallery of modern painting, graphic art, and photo, Kaliningrad, Russia
Since 1997 – Art-director of the Kaliningrad Branch of the National Center for Contemporary Art, Russia (KB NCCA)
Curator activity
During of curator activity has organised and has realised more 40-ty art projects together with other curators.
1994, 1996
– 3 and 4 International Biennial of Easel Graphic Art “Kaliningrad – Koenigsberg”, Regional Kaliningrad Art Gallery, Russia.
1999
– Multikind Art Project “Sardines in oil”, Museum of World Ocean, Kaliningrad; and the International Art Fair “Art-Manege’99. Moscow. Eurasian zone”, Central exhibition hall “Manege”, Moscow, Russia. The project of the Kaliningrad Branch NCCA.
– Art Project “Territory of echo. The Siberian Ulcer”, International Museum Biennial, Museum complex on Strelka, Krasnoyarsk, Russia. The project of the Kaliningrad Branch NCCA.
2000
– Project “Gluhomania” in the frame of non-commercial section of the International Fair of Contemporary Art “Art-Moscow “, Central Exhibition Hall, Moscow; “Museum Picnic 2000”, Tolyatti, Regional Museum, Russia. The project of the Kaliningrad Branch NCCA.
2001
– Open Social Network Art Project “ART OF TORTURES AND EXECUTIONS – ART AGAINST TORTURES AND EXECUTIONS”. The project of the Kaliningrad Branch NCCA. www.ncca.koenig.ru/execution
Selected exhibitions 1999 – 2002:
1999
– 1st International Art Biennial, Pizza, Italy. The diploma.
– “Alternate Photo”, Kaliningrad Regional Historical Art Museum, Russia.
2000
– Exhibition of a man’s naked nature “Body Ì”, Kaliningrad Branch NCCA, Kaliningrad;
– Multimedia Art-project “Media-Graph”. The project of the Kaliningrad Branch NCCA.
– Web-project “Photoperformance on the King’s Mounting” in the frame of the St Petersburg’s Art Marathon.
– International Exhibition “Performance/interventions on photographs”. Multimedia Arts Gallery in Novi Sad, Yugoslavia.
2001
– Multimedia project “The secret life of the Siberian Cosmism”. Organiser New House of Culture, Novosibirsk, Russia.
– 2. International Multimedial Art Festival (IMAF 2000), MAS Gallery, Odzaci, Yugoslavia
– Installation “Life is a trap” (together with E.Tsvetaeva) . Stockholm, Sweden;
– Photo installation “Untitled”. International workshop “Contemporary Art. Ecology of art in an industrial landscape”. Nizhny Tagil State Art Museum, Nizhny Tagil, Russia.
– “Prussian Blue”. Castle Sanssouci, Orangerie, Potsdam, Germany
– Poetry Bunker at the 49th Venice Biennial, Venice, Italy
2001/2002
– Exhibition “DAVAJ! Russian Art now”. Berlin, Germany; MAK, Vienna, Austria
2002
– 1-st Annual outdoor seminar – plein-air “Inside and Between: Communication and Identification in Contemporary Art”. Kaliningrad Branch of the National Center for Contemporary Arts, Kaliningrad, Russia
– 1-st International Festival of Contemporary Art “Melioration”. Moscow
Lives and works in Kaliningrad, Russia
Eugeny Umansky is artist and curator in
RRF – v.1.0
curating these artists
1. Eugeny Umansky
2. Jevgeny Palamarchuk
3. Yuri Vasiliev
4. Anatoly Belov
5. Dmitry Bulnygin
6. Oleg Lystsov
7. Alexey Tschebykin
Caterina Divinio
Pioneer of Italian cyber poetry and computer art, world wide known, Caterina Davinio
has done curatorial and consultant activity in international festivals since 1990. Her
work has been featured in more than 100 exhibitions in many countries in Europe, North and South America, Asia, among them the Venice Biennial (in all editions since 1997), and in the Biennial of Electronic Art & Television of Rome (all editions). Publications as an author: Techno-Poetry and Virtual Realities (essay, bilingual Italian – English, Mantova, IT, 2002); Color Color
(novel, Pasian di Prato, UD, IT, 1998), short essays, poems, and digital works, in international magazines and journals of the avant-garde.
Caterina Davinio is participating as an artist in
2007
VideoChannel – video project environments
2006
Tittle: “cell-portrait”.
Year of production: 2005.
VideoChannel – video project environments
Title: Poem in Red, video, 2004, 5:45
JavaMuseum – Forum for Internet Technology in Contemporary Art
2006
2003
2003
curated by Wilfried Agricola de Cologne
2001
Memorial for the Victims of Terror
curated by Agricola de Cologne
Caterina Davinio curates for
RRF v.1 – featuring
1. Panos Kouros (Greece),
2. Christina McPhee (USA)
3.Jennifer and Kevin McCoy (USA)
Wilton Azevedo/Brazil
was born in São Paulo, SP, Brazil, an artist, a graphic designer, poet and musician, Doctor in Communication and Semiotics published O que é Design (Brasiliense), Os Signos do Design (Global), Interpoesia, Cd-rom – 2000, Looppoesia – Cd rom -2004 will be released together with Intertechnopoesia a sound Cd and Quando Assim Termino O Nunca… DVD – 2005. Professor, an academic advisor at the postgraduate course in Educaçao, Arte e Historia da Cultura at Universidade Presbiteriana Mackenzie. He took part in several exhibitions in museums and art galleries in Brazil, USA, Cuba, México, France, Italy, Holland, Germany, England, France, Italy, Spain and Argentina. Member of Transitoire Observable group in 2004 showed the interactive works at Centre George Pompidou.
Wilton Azevedo is participating in
Wilton Azevedo curates for
RRF v.1 featuring these artists
Andre Vallias (Brazil)
Chris Funkhouser (USA)
Komninos Zervos (Australia)
Tania Fraga (Brazil)
Artists:
> 1. URTICA (Serbia/Montenegro)
> 2. Trebor Scholz (USA)
> 3. Darko Fritz (Croatia/Netherlands)
> 4. Ruth Catlow (UK)
> 5. Alex Dragulescu (Romania)
RRF v.2.0
Raul Ferrera-Balanquet/Cuba
Raul Ferrera-Balanquet
http://www.labcartodigital.org/
was born in Havana, Cuba in 1958. MFA, Multimedia and Video Art Department, University of Iowa, 1992. Ferrera-Balanquet has curated major media arts exhibits in the United States, Canada, Brazil, Cuba and Mexico, among them InteractivA’03 and 01 for the Museum of Contemporary Art (MACAY), Merida, Yucatan. Mexico, 2001 and 2003; “Huellas de un Corazón Sangrante en Tropicana”, MIX-Brazil, for the Museum of Sound and Image, Sao Paulo, Brazil; “Videos That Unmask, Test and Invade the Colonial System”, Program I, Video In, Vancouver B.C., Canada.
Ferrera-Balanquet is the author of the books Aestesis Decolonial Transmoderna Latinx_MX (2019) and Imaginarios Creativos y Soberania Erotica Decolonial (2018), and has edited the critical anthology Andar Erotico Decolonial (2015), Ediciones del Signo, Buenos Aires, Argentina.
Ferrera-Balanquet has exhibited at BE.BOP, Ballhaus Naunynstraße, Berlin, Germany; the Queens Museum of Art, New York; the Nasher Museum, Duke University, Durham, North Carolina; Museum of Latin American Art, Long Beach, California; Zentral Bibliothek, Zurich, Switzerland; Fundacion de Arte Contemporaneo, Montevideo, Uruguay; 33ro Festival Internacional Cervantino, Leon, Mexico; Exit Art Gallery, New York City; Alchemy Projects, MAAP Festival, Australia; Whitney Museum of American Art, New York; Randolph Street Gallery, Chicago; Video IN, Vancouver B.C., Canada; LACE, Los Angeles, California; Museum of Contemporary Art, Chicago; Centro de Cultura Contemporanea, Barcelona, Spain among others
His writings have been published in Caribbean InTransit, Issue 4, Virgina, USA; Social Text Journal / Periscope, New York; Inter Art Actuel, No. 111, Quebec, Canada; IDEA arts + society, #39, Cluj, Romania; Artecubano, Vol.3-4, Havana, Cuba; SalonKritik, Madrid, Spain; Bienal de La Habana Para leer, Universitat De Valancia, Spain; Public No. 41, Toronto, Canada; Escaner Cultural, Santiago de Chile, Chile; Integracion y Resistencia en la Era Global, Evento Teorico Decima Bienal de La Habana, Centro de Arte Contemporaneo Wifredo Lam, La Habana, Cuba; Worlds and Knowledges Otherwise, Volume 3, Dossier 1, Center for Global Studies and the Humanities, Duke University; Video en Latinoamerica. Una vision critica, Editorial Brumaria, Madrid; Tierra Adentro, Mexico DF; Forum Idea, 9na Bienal de La Habana 2006; Circus Reader, Melbourne, Australia; Felix: A Journal of Media Arts and Communication, New York; Artpapers, Atlanta; and the Mexican literary magazine Navegaciones Zur.
Executive curator of Arte Nuevo InteractivA: Bienal de las Nuevas Artes, Merida_MX (six editions, 2001-2013), Ferrera-Balanquet has organized numerous art, video and new media exhibitions. Among them Traslocalidades en Movimiento, video art, Centro Cultural de España en El Salvador, San Salvador, 2008; In[ter]vencion, [R]-[R]-[F] Festival, JavaMuseum: Forum for Internet Technologies in Contemporary Art, Cologne, Germany, 2004; Huellas de un Corazon Sangrante en Tropicana, MIX-Brasil, Museo de Sonido e Imagen, Sao Paulo, Brazil, 1994; Nomads: Plural Identities in Traveling Territories, Randolph Street Galley, Chicago, Illinois, USA, 1993.
In addition to a Fulbright Fellowship, Ferrera-Balanquet has been awarded grants from US/Mexico Cultural Fund, Moon Radio Webtv Commission, The Australian Network of Art and Technology, the National Endowment for the Arts (NEA), The Lyn Blumenthal Video Foundation, and the Noetic Science Institute/Fetzer Institute. His writings have appeared in the Australian based The Media Circus Reader, Artpapers, Radical Teacher, Cinematograph, Felix, the Mexican literary magazine El Juglar, the Miami based Perra! La Revista and the British/German art magazine Guestroom.
Raul Ferrera-Balanquet participates as an artist in
LatinoNetarte.net – netart from Lating American countries
Raul Ferrera-Balanquet
is curator forRRF v.2 – Intervención
featuring these artists
1. Giselle Beiguelman (Brazil)
2. Ricardo Baez (Venezuela)
3. Santiago Perez Alfaro (Mexico)
4. Eduardo Nava (El Salvador/USA)
5. Juan Devis and OnRamp Arts (Colombia/USA)
6. Alex Riviera (Peru/USA)
Gita Hashemi
http://strictlypersonal.net
participant in
showcase curated by Wilfried Agricola de Cologne
Celebrate! – netart features 2010 – 10 Years JavaMuseum
Gita engages in cultural practice as artist, writer, curator, organizer, worker and educator. Her most recent curatorial projects include RealPlay (2004, netart exhibit) Negotiations: From a Piece of Land to a Land of Peace (2003, art-driven multidisciplinary event, http://negotiations2003.net), WILL (2003, multidisciplinary transnational exhibition, http://negotiations2003.net/will), Afghanistan, 2002: No Refuge and Locating Afghanistan (2002-3, image-text exhibition and publication with photography by Babak Salari), and Trans/Planting: Contemporary Art by Women from/in Iran (2001, with Taraneh Hemami, http://strictlypersonal.net/transplanting).
Her recent titles include Post-Coitus (2003, http://post-coitus.net), Olive Fair (2003, http://olivefair.net), Many Stones for Palestine (2002, http://strictlypersonal.net/stones), The Word Room (2001, with Post-Exile Collective, http://wordroom.net), A War Primer (2001, sound installation), and Of Shifting Shadows (2000, CD-R). Hashemi’s work has been exhibited,
reviewed and collected nationally and internationally. She is the founder of Iranian Artists in Dialogue, a co-founder of Post-Exile Collective and a founder of Creative Response. She resides in Toronto, Canada.
Hashemi’s labour as an intellectual has crystallized in simultaneous processes of de/re/construction; not in any specific class of objects or within any particular representational genres, but in the envisioning of the spaces and formulation of the critical practices that can be constitutive in transformative social and political movements. Informed by her direct
engagement in liberatory political struggles before, during and after the 1979 Iranian Revolution as well as her experience of exile in North America, Hashemi’s work takes shape in a continuous process of countering masculinist discourses of fundamentalism, fascism, colonialism, corporatism and militarism. Notions of community, co-labouring, public space and active participation are integral to her creative engagement. So is the understanding that artistic practice, as a fundamentally social process, is inherently political and must, therefore, be subject to conscious
(re-visionary) feminist re-articulation: The political is personal, the personal is poetic, the poetic is political, the political must become ethical.
2003
Gita Hashemi participates in
I-Ocean – netart from Asian and Pacific area
2004
Gita Hashemi curates for
featuring these artists
1. Jaromil
2. Hard Pressed Collective
3. Mireille Astore
4. Project Threadbare Coalition
5. Haleh Niazmand
2007
Gita Hashemi is participating in
JavaMuseum – Forum for Internet Technology in Contemporary Art
Björn Norberg
Employments
1994-2004 Curator at the Museum of Gävleborg, Gävle, Sweden
2000- Curator of the nonTVTVstation/Splintermind
Education
1991-1994 Bachelor of art at Uppsala University
2000 Art and pedagogic, University College of Art/Konstfack in Stockholm
Curated exhibitions, a selection
2004 The Soul at the site, Sandviken Art Centre/ Museum of Gävleborg
Get Real!, Kiasma
5 composers, NonTVTVstation
Sarawut Chutiwongpeti, nonTVTVstation
Julie Andreyev, nonTVTVstation
Beeoff, nonTVTVstation and RRF – Agricola de Cologne, screened at MOCA Romania.
2003 Jöran Österman, Museum of Gävleborg
Helene Öfverström, Museum of Gävleborg
Renen, Placebo och Festis, Museum of Gävleborg
Marius Watz, nonTVTVstation
Pink Twins, nonTVTVstation
Nils Edvardsson, nonTVTVstation
Samuli Alapuranen&Anonymous&Anonymous, nonTVTVstation
Beeoff and Vesa Vehviläinen, Uppsala Art Museum
Tomas Linell, Glass Rondo, nonTVTVstation
Gunilla Leander and Rosan Bosch, nonTVTVstation
Uppsala International Shortfilmfestival
Jakob Kirkegaard and Ellen Röed, nonTVTVstation
Emi Maeda and HC Gilje, nonTVTVstation
Steven Dixon and Tore Nilsson, nonTVTVstation
2002 Nudes, Museum of Gävleborg
2001 The white town, Museum of Gävleborg
Miss Universe – the boy photographer, Museum of Gävleborg
2000 Meetings, Museum of Gävleborg
1999 Believe in the future, Museum of Gävleborg Chernobyl, Museum of Gävleborg
1998 Chairs, Museum of Gävleborg
1996 The Swedish Children Book, Royal University in Stockholm
1995 Houses, Museum of Gävleborg
Lectures
2004 Rights on the Internet, Riksutatällningar, Stockholm
1998-2004 Art history and theory at the Art School of Gävle
2002-2003 New Media Art at the University College of Gävle
2002-2004 Guest lectures at the Royal University College of Fine Arts
2001 Key note speaker at the CULT2001 congress in Copenhagen, Denmark
Other
2000-2004 Board member of the Swedish Association of Curators
2003-2006 Participant of a research team investigating complexity and processes. The project is initiated by the Swedish Research Council.
2003 Particpating and writing for the Art and New Media courses at the Royal University College of Fine Arts
2003 Moderator for a seminar, writing texts for exhibitions, Uppsala
2002 Moderator for a seminar, web exhibitions, Riksutställningar in Stockholm
2001 Moderator for a seminar, video and exhibitions, Riksutställningar in Stockholm
Björn Norberg curates for
Videos from Sweden
featuring
Beeoff –> Olle Huge, Tomas Linell, Mikael Scherdin
Beeoff
Jens Salander/Mikael Strömberg
Steven Dixon
Cecilia Lundquist
Petra Lindholm
.
Calin Man
http://revoltaire.net
Participant as an artist in
JavaMuseum – Forum for Internet Technology in Contemporary Art
“Celebrate!” – 10 Years JavaMuseum – Forum for Internet Technology in Contemporary Art
.
RRF v.3 curated by Agricola de Cologne
Participant as a curator together with Stefan Tiron
– for [R][R][F]200x—>XP – global networking project
RRF v. 2.0 “Romanian Guns” featuring these artists
1. Sergiu Negulici
2. Milos Jovanovic
3. Catalin Rulea
4. Daniel Gontz
5. Valentin Chincisan
– for CologneOFF 2011 & NewMediaFest2020
Kinema Ikon
biography
b.: 1961; place of residence: Arad, Romania. education: B.A. in literature, Timisoara University, Romania;
chief-editor and designer of intermedia magazine;
curator at the Art Museum Arad; member of kinema ikon group.
Eva Sjuve
http://moomonkey.com/main/index.html
Eva Sjuve, is exploring the intersection of sound, performance and mobile media.
She is building physical interfaces to enhance live digital music, and is also
implementing musical compositions for mobile devices.
Eva Sjuve has been exhibiting in Europe, Asia, USA, South America and Australia,
since 1985. She has been participating in exhibitions at the Australian Center of
Contemporary Art, Melbourne, Australia; Kunsthaus Dresden, Germany; Kiasma Museum
of Contemporary Art, Helsinki, Finland; European Media Arts Festival, Germany;
Centre d’Arte Contemporain de Basse Normandie, France among others.
In 1995 she received the Jury’s Award at the New York Exposition of Short Film &
Video, for her experimental video “Mytholygi” exploring the perception of time
and space through cultural spheres. In 2000, she received an Award of Recognition
at CYNETart 2000, Dresden, Germany, for the audio composition “Astro Turf”,
exploring auditory spaces.
Eva Sjuve holds a Master’s degree in Interactive Telecommunications, New York University,
and a Master of Arts in Art Theory, Lund University, Sweden.
She also studied at the School of Visual Arts in New York, and at the
Centre de Creation Musicale de Iannis Xenakis (CCMIX) in Paris, France.
Education
M.A. Lund University, Lund, Sweden, Master’s Degree in Art History
and Master’s study in Drama/Theatre/Film.
M.P.S. Interactive Telecommunications Program, New York University, USA
The School of Visual Arts, New York, USA
[3 years of studio credits in computer arts, fine arts, film, video and animation]
Interfacing Realities with Dr. Joel Ryan
ZKM, Zentrum fur Kunst und Medientechnolgie, Karlsruhe, Germany
Centre de Creation Musicale Iannis Xenakis [CCMIX], Paris, France
Royal Institute of Technology (KTH), Stockholm, Sweden
School of Information and Communication Technology
University of Plymouth, UK
Institute of Digital Art and Technology (i-dat.org)
School of Computing, Communications and Electronics
Faculty of Technology
The Dramatic Institute, Stockholm, Sweden
Eva Sjuve curates for
bek_international –
soundart – featuring these artists
Janek Schaefer
Miha Ciglar
Kirstin Norderval
Antti Sakari Saario
Pierre Proske
RRF v.2.0 – BEK_dns
featuring these artists
Gijs Gieskes
Antti Sakari Saario
ARM with John Hegre
Continental Fruit
Cosmic Jinx
Christian Bøen
Thorsen, Lossius, Bastiansen
Agricola de Cologne/Germany
curates
1.Conor McGarrigle (Ireland)
2.Maite Camacho (Spain)
3. Erkki Kirjalainen (/Santtu Rantanen) (Finland
4. David Clark (Canada)
5.Melinda Rackham (Australia)
6. Nathaniel Stern (USA)
7. Oliver Dyens (Canada)
8.Shilpa Gupta (India)
9. Michael Sellam (France)/Garrett Lynch (Ireland)
10. JODY ZELLEN (USA)
Melody Parker Carter/Germany curates
1. Werner Cee (Germany)
2. Sachiko Hayashi (Sweden)
3. Liz Miller (USA)
4. Lisa Gye (Australia)
5. Mustafa Maluka (South Africa)
6. Avi Rosen (Israel)
7. Irena Paskali (Macedonia)
8. GAST BOUSCHET/Nadine Hilbert (Belgium)
9. Stephan Barron (France)
10. Lisa Cianci (Australia)
Winston Yang
Academic Positions
Lecturer, School of Creative Media, City University of Hong Kong
2001 – present
Graduate Faculty Member, Parsons School of Design
1999-2001
Projects
Pictopia 2004
A knowledge storage and retrieval system, constructed from our mental images of the city
Space to Place II 2001
Using multiple information appliances to re-establish the sense of place and community that has been lost in modernization. Funding: SCM Applied Research
Complex Media Display 2002
Multi-channel architecture for the exhibition of art in a variety of medium
Space to Place 1998- 1999
Construction of realistic experiences in a virtualized world [www.spacetoplace.com]
Fuzzy Index 2000 – 2001
Dynamic visualization application for file storage and retrieval
The Captor 1999 – 2000
A digital space that simultaneously exists in Paris, Luzane and World Wide Web.
Cyber Fugitive 1997 -1998
A narrative space dedicated to Kevin Mitnick and the hacker subculture
Awards and Exhibitions
2003 +playengines+, Melbourne Australia
Space to Place is featured in the exhibition sponsored by DAC
2002 digitalBIEDERMEIER, Vienna, Austria
Space to Place is featured in the festival sponsored by [d]vision
2002 Rhizome ArtBase
Space to Place is selected by Rhizome to be permanantly archived
1998 International New Media Festival, New York, NY
Cyber Fugitive received Honorable Mention
1997 VRML Symposium, Monterey, California
Cyber Fugitive was featured on the floor exhibition
Education
MFA, Parsons School of Design 1999 New York, NY USA
Bachelor of Architecture, Carnegie Mellon University 1997 Pittsburgh, PA USA
Winston Yang participates in
I-Ocean – netart from Asia & Pacific area
Winston Yang curates for
RRF v-2 – Contribution form China
featuring this arts group
“Women and the Memory of Repression in Argentina”
Raquel Partnoy and Agricola de Cologne curate
1. Raquel Partnoy
2. Marina Zerbarini
3. Andamio Contiguo
4. Irene Coremberg
5. Anahi Caceres and ArteUna network curate
Fernanda Bragone/Anahí Cáceres/Patricia Carini/Alejandro
Delgado/Zulma Ducca/León Ferrari/Nicolas Ojeda/Carmen
Pezido/Claudina Pugliese/Marta Sacco/Paula Gimenez/Rosa
Revsin/Claudia Masin/Alicia Porcel de Peralta/Sergio Varela/
Lionel Wainsztok..and others
http://rrf200x.newmediafest.org
